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Exsultate Jubilate Kv 165 Motet, Wolfgang Amadeus Mozart. Vocal Score

Exsultate Jubilate Kv 165 Motet, Wolfgang Amadeus Mozart. Vocal Score
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Mozart, Wolfgang Amadeus
Exsultate, jubilate K. 165 (158a)
Motet


DESCRIPTION
Edited with additional material from the Salzburg version


In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives, concluding with an Hallelujah,and sung during the Mass following the Credo, generally by one of the best singers. One composition matching this description is the solo motet Exsultate, jubilate, K. 165/158a, which Mozart wrote in Milan early in 1773following the highly successful performance of his opera Lucio Silla.


In 1978, when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft, a setofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg courtbassoonist and copyist Joseph Richard Estlinger (c. 17201791), who frequently worked for Mozart and his father.


The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria andin the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in theDreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart, together with Ceccarelli, wereinvited to the churchs vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.


  • Urtext of the New Mozart Edition
  • Fullscore, performance material (BA4897) and vocal score (BA4897-90) available for sale


Product information


Composer/Author: Mozart, Wolfgang Amadeus
Title:Exsultate, jubilate K. 165 (158a)Motet
Detailed instrumentation: Soprano solo, Oboe (2) (Flute (2)), Horn (2), Violin (2), Viola (2), Violoncello, Basso, Organ
Volume/Series: BÄRENREITER URTEXT
Arranger: Focke, Martin
Editor: Federhofer, Hellmut / Münster, Robert
Product format:Vocal Score, Urtext edition
Comments on the edition: Edited with additional material from the Salzburg version
Duration (approx.):00:17:00
Level of difficulty (D):3
Publisher: Bärenreiter
Binding: Stapled
Pages/Format 24 S. - 27,0 x 19,0 cm
Weight:89 g
Edition no.:BA04897-90
ISMN:9790006460014



Mozart, Wolfgang Amadeus
Exsultate, jubilate K. 165 (158a)
Motet


DESCRIPTION
Edited with additional material from the Salzburg version


In Italy nowadays this term (motet) is applied to a Latin sacred solo cantata consisting of two arias and two recitatives, concluding with an Hallelujah,and sung during the Mass following the Credo, generally by one of the best singers. One composition matching this description is the solo motet Exsultate, jubilate, K. 165/158a, which Mozart wrote in Milan early in 1773following the highly successful performance of his opera Lucio Silla.


In 1978, when the music manuscripts in Bavaria were being sorted and cataloged in a project sponsored by the Deutsche Forschungsgemeinschaft, a setofmanuscript parts for a previously unknown second version was discovered in the town parish church of St. Jakob in Wasserburg am Inn. The music and text of the concluding Alleluja movement were written out by the Salzburg courtbassoonist and copyist Joseph Richard Estlinger (c. 17201791), who frequently worked for Mozart and his father.


The vocal text of this Salzburg manuscript departs from that of the Milan version in the first aria andin the recitative. It was entered in a different hand. The Salzburg version of the text is clearly related to the feast of the Holy Trinity. There is much evidence that this version was sung for the first time in theDreifaltigkeitskirche on 30 May 1779 (i. e. Trinity Sunday) by the Salzburg male soprano Francesco Ceccarelli during a service mentioned by Nannerl Mozart. On that day Leopold and Wolfgang Mozart, together with Ceccarelli, wereinvited to the churchs vicarage at midday. The additional text underlaying of the first aria enabled the solo motet to be employed for the Christmas service as well.


  • Urtext of the New Mozart Edition
  • Fullscore, performance material (BA4897) and vocal score (BA4897-90) available for sale


Product information


Composer/Author: Mozart, Wolfgang Amadeus
Title:Exsultate, jubilate K. 165 (158a)Motet
Detailed instrumentation: Soprano solo, Oboe (2) (Flute (2)), Horn (2), Violin (2), Viola (2), Violoncello, Basso, Organ
Volume/Series: BÄRENREITER URTEXT
Arranger: Focke, Martin
Editor: Federhofer, Hellmut / Münster, Robert
Product format:Vocal Score, Urtext edition
Comments on the edition: Edited with additional material from the Salzburg version
Duration (approx.):00:17:00
Level of difficulty (D):3
Publisher: Bärenreiter
Binding: Stapled
Pages/Format 24 S. - 27,0 x 19,0 cm
Weight:89 g
Edition no.:BA04897-90
ISMN:9790006460014



Produktspesifikasjoner
Fabrikat-ForlagBärenreiter-Verlag
ProduktVocal Score
SerieBärenreiter Urtext
Komponist-ForfatterMozart, Wolfgang Amadeus
SjangerKlassisk
Produktspesifikasjoner
Fabrikat-ForlagBärenreiter-Verlag
ProduktVocal Score
SerieBärenreiter Urtext
Komponist-ForfatterMozart, Wolfgang Amadeus
SjangerKlassisk
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