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Hippopotamus Rock- FLEX 4 Grade 2,5 - Haakon Esplo
HIPPOPOTAMUS ROCK«Flodhestrock»Opplev energien og gleden i "Hippopotamus Rock"!Dette musikkstykket er originalt skrevet for fleksibel besetning og er morsomt å spille for alle stemmer. Det har rytmiske utfordringer, solistiske innslag og vil mest sannsynlig bli en favoritt i korpset ditt.Part 4, som spilles av de dypeste instrumentene, kan by på flere muligheter både for solo- og soli innslag!"Hippopotamus Rock" tilfører en sprudlende stemning til enhver konsert, uansett setting. Underhold publikum med dette livlige stykket som garantert får alle til å rocke med!
529 kr
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We'll Meet Again, Charles-Parker arr. Inge Sunde, Showblow Flex 5
WE'LL MEET AGAINDen engelske sangerinnen Vera Lynn reiste mye rundt for å underholde de britiske troppene under andre verdenskrig, og i 1942 spilte hun også inn sin mest berømte sang, We'll Meet Again, fra filmen med samme navn.We'll Meet Again ble en en av de mest kjente sangene under krigen.Gjennomgangstemaet i sangen, 'vi møtes igjen', var soldatenes avskjed til sine kjære, og var på denne måten egnet til å skape fremtidstro i en situasjon hvor mange ikke ville vende tilbake.WE'LL MEET AGAINDuring the Second World War, the English singer Vera Lynn gave many concerts for the British troops abroad, and in 1942 she also recorded her most famous song, We'll Meet Again, starring in a film of the same name.'We'll Meet Again' became one of the most affecting song of the war, resonated with soldiers going off to fight as well as their families and sweethearts.INGE SUNDEer født i 1959 og startet sin musikalske karriere som kornettist i Florø Skoles Musikkorps. Hans formelle musikk- og lærerutdannelse har han fra Bergen lærerhøgskole og fra Universitetet i Oslo.Sunde har lang undervisningserfaring fra mange sektorer; musikk- og kulturskole, folkehøgskole, grunnskole og videregående skole. Siden 1981 og fremover har han drevet utstrakt dirigent- og instruktørvirksomhet i både korps og storband, og har vært initiativtaker og ansvarlig for flere samspillprosjekter med vekt på rytmisk musikk og gehørspill. Utover pedagogvirksomheten er han også aktiv som frilans trompetist.Inge Sunde startet Noteservice aller første satsing på utgaver for fleksibel besetning; ShowBlow serien. Siden første utgivelse i 1993 har denne vokst til å bli Norges største serie med fleksible arrangementer, hvorav Inge Sunde har mer enn 50 titler utgitt.INGE SUNDEwas born in 1959. He started his musical career as cornetist in the local school band; Florø Skoles Musikkorps. Sunde achieved his formal musical education at the Bergen lærerhøgskole and the University of Oslo. After finishing his education, he has worked as a teacher and educator at various levels such as primary school, high school and music school.Sunde has been conductor and band-leader of several concert bands, brassbands and jazz ensembles since 1981. On the band side; he has been initator and responsible for several projects focusing on rhythmic music and improvisation. Besides his career on the educational side, Sunde is also active as freelance trumpet-player.___________________________________________________________S H O W B L O W for fleksibelt ensembleSHOWBLOW er en serie lettbetonte musikkstykker i spennende arrangementer for fleksibel blåse-besetning.SHOWBLOW passer utmerket for nesten hvilket som helst ensemble, med messing, treblås eller en kombinasjon, fra fem til hundre blåsere.SHOWBLOW kan være et redskap for å motivere til ensemblespill. Dette utvikler elevenes ferdigheter i forhold til balanse, klang, frasering, intonasjon, i tillegg til å få frem større sikkerhet på instrumentet.SHOWBLOW inneholder musikalske utfordringer i alle stemmer.SHOWBLOW er spesielt tilrettelagt for unge blåsere, men de eldre vil finne flere velkjente evergreens blant titlene i serien.Hvordan bruke SHOWBLOW?Stykkene i SHOWBLOW-serien er arrangert slik at de kan brukes med varierende instrumentsammensetninger.Arrangementene krever likevel at hver av de fem stemmene dekkes av minst ett instrument, og ved fordeling av stemmene er det også viktig å følge instrumentasjons-guiden ( - se den følgende INSTRUMENTATION GUIDE ).Brukes stykkene i større besetninger, kan det være en fordel å variere instrumentasjonen ved til tider å utelate instrumentseksjoner, da spesielt i repeterte partier og solo-partier. Pass på at det til enhver tid er best mulig balanse mellom stemmene.Stykkene i serien er arrangert i ulike rytmiske stilarter. Bruk verdifull øvingstid på å få de ulike rytmiske figurer til å fungere best mulig, i tillegg til intonasjon, frasering, presisjon og stil.Førstestemmen (Part 1) inneholder til tider en ad-lib soloseksjon. Dette gir mulighet for arbeid med improvisasjon, noe som kan fremme individuell kreativitet blant musikerne.Slagverkstemmen er valgfri, men den kan sette en ekstra spiss på arrangementene når den taes med. Den er først og fremst beregnet for én spiller (trommesett), men kan også fordeles på flere (basstromme, skarptromme og cymbaler). Noen arrangementer har også med div. håndperkusjon.Melodisk perkusjon (klokkespill, xylofon etc.) kan spille førstestemmen i C (Part 1,C).Femtestemmen (Part 5) er også skrevet ut for bassgitar (el.bass eller kontrabass). Denne stemmen inneholder besifring (akkorder), som dermed også gjør det mulig å legge til piano, synthesizer eller gitar.Hvert sett i SHOWBLOW-serien inneholder stemmer for treblås og messing; i tillegg stemmer for bassgitar (-med besifring) og slagverk. FLEX 5 SHOWBLOWThis is our all time favorite flexible serie which has been a part of our catalogue since the 90's. Here you will find a wide variety of entertainment music from all decades arranged for 5-part instrumentation playable for quintets up to full Brass- and Concert Bands. Level of difficulty: from 2,5 to 3.INSTRUMENTATION GUIDEThe works in the series are in five parts (plus optional parts for Bass Guitar and Drums) and will have the following instrumentation:Instrumental parts: Woodwind instruments: Brass instruments:Part 1, C Flute, OboePart 1, Eb Eb Clarinet Eb CornetPart 1, Bb Bb Clarinet, Soprano Saxophone Bb Trumpet,Bb Cornet, FlugelhornPart 2, Bb Bb Clarinet Bb Trumpet,Bb Cornet, FlugelhornPart 2, Eb Alto Saxophone, Alto Clarinet Eb Alto HornPart 3, Eb Alto Saxophone, Alto Clarinet Eb Alto HornPart 3, F F HornPart 3, Bb Tenor Saxophone Bb Tenor Horn, Baritone/EuphoniumPart 3, C (B.C.) Trombone, Baritone/Euphonium (B.C.)Part 4, Bb Tenor Saxophone, Bass Clarinet Bb Tenor Horn, Baritone/EuphoniumPart 4, C (B.C.) Bassoon Trombone, Baritone/Euphonium (B.C.)Part 5, Eb Baritone Saxophone Eb Tuba (T.C.)Part 5, Bb Bb Tuba (T.C.)Part 5, C (B.C.) Bassoon Tuba (B.C.)Additional parts :Bass Guitar(Part 5 w/chords) Electric Bass, Accoustic String BassKeyboards ( Piano, Synthesizer etc. ) or GuitarDrums Drum Set ( Battery ) - for one playeror separated ( B.D., S.D., Cymbals, add. percussion ) - for min. 3 playersBells, Xylophone or other melodic percussion can use Part 1,C
630 kr
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Coldplay Classics, arr. Michael Brown. Concert Band
Coldplay Classics, arr. Michael Brown. Concert Band-Clocks-Paradise-Viva La Vida
959 kr
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Bullseye, Scott Rogers. Flex 4 Beginning Band
BullseyeDet er en fantastisk følelse når man treffer midt i blinken! I dette tilfelle betyr det å plassere åttedelspausen rett på andre slag slik at åttedelsnoten kommer riktig på "toerens og" og leder til firedelsnoten på tredje slag.For kontrastens skyld ligger alt rett på slag i stykkets mellomspill. Dette er en bra måte å presentere rytmiske begreper og jobbe effektivt med åttedels- og firedels rytmer.Scott Rogerser en komponist/arrangør/produsent/pedagog som har skrevet for unge musikanter i over tretti år. Barnas opplevelse av musikk har alltid stått sentralt i hans arbeid. Rogers har over 120 utgivelser fra 1994 og fram til i dag.Kick Off!er en serie for de aller yngste musikantene i korps eller kulturskole.Kick Off gir alle musikantene en melodistemme. Hver note har i tillegg en harmoni-stemme (B) eller en bass-stemme (C). Dette gjør at samspill kan gjøres fleksibelt og at alle har mulighetene for å kunne spille melodien. Melodien kan dermed repeteres flere ganger og utfordringene for den enkelte musikant blir fornyet hver gang. Dette gjør at intonasjon, balanse blir tydeliggjort på en hørbar måte.Det er en utfordring for saxofon og horn-stemmene når det gjelder omfang i samspill med de andre instrumentene. Derfor er det ikke skrevet ut B- og C-stemmer her, men egne stemmer for disse instrumentene. Dette gjør også at ensemblet vil klinge fyldigere når disse stemmene er med.I tillegg har Kick Off en enkel pianostemme som kan brukes når musikantene har lyst til å spille solo.BullseyeIt's a great feeling when you hit the bullseye! In this case, it means placing the eight-note rest right on the second beat so that the eight-note comes at the right time and leads on to the quarter note on the third beat. As a contrast, everything lands right on the beat in the middle section. This is a great way to introduce counting concepts and to work effectively with eighth- and quarter-note rhythms.Scott RogersScott Rogers is a composer/arranger/producer/educator who has been writing for young instrumentalists for over thirty years. The musical experience of children has always been the central focus of his work. Rogers has a published catalogue of over 120 pieces stretching from the current day and back to 1994.Kick Off!is a series for the very youngest musicians in a band or cultural school.Kick Off gives all musicians the melody part. Each part also has a harmony part (B) or a bass part (C). This allows for flexible use with different instrumentations, and gives everyone the opportunity to play the melody. The melody can be repeated several times with differing accompaniment and soloists. This makes each repetition of the material unique and meaningful for the musicians. When musicians have direct experience playing several parts, concepts like intonation and balance are easier to approach.There is a challenge with saxophone and horn parts. The key and ranges that work well for the other instruments create the need for separate parts for sax and horn. Therefore, B and C parts are not written for these instruments, but parts tailored for these instruments. Use of the sax/horn parts will also make the ensemble sound fuller.In addition, Kick Off has a simple piano part that can be used when the musicians want to play solo.
500 kr
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Celtic Air and Dance, Trad. arr Michael Sweeney. Easy Flex-Band 1,5
DESCRIPTIONMichael's popular setting of tuneful Irish melodies is available here in an easy flexible format using just four parts plus percussion. Ideal for small group settings.SPECIFICATIONSMR-Product Format Score & PartsArranger Michael SweeneyInstrument Group Flexible BandInstrumentation 5-Part Flexible Band and Opt. StringsProduct Type SetEuropean Parts Incl. YesSeries FlexBandBand Grade of Difficulty Grade 1Publisher Hal LeonardGenreView Description Folk British IslesStyle IrishYear of Publication 2021UPC 840126945614Edition Number HL04006908No. HL04006908
900 kr
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Marry You - Bruno Mars arr Ole Bollom. Alma Junior Flex 4
"Marry you" er skrevet av den amerikanske artisten Bruno Mars og ble utgitt på hans debutalbum Doo-Wops & Hooligans i 2010."Marry you" er skrevet av den amerikanske artisten Bruno Mars og ble utgitt på hans debutalbum Doo-Wops & Hooligans i 2010. Den kom høyt opp på salgslisten over hele verden. Teksten handler om frieri og bryllup og sangen er derfor ofte brukt i forbinDen kom høyt opp på salgslisten over hele verden.Teksten handler om frieri og bryllup og sangen er derfor ofte brukt i forbindelse med dette.
465 kr
445 kr
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Royal Procession, Scott Rogers. Flex 4 Beginning Band
Royal ProcessionHvem blir ikke fanget av storheten til en kongelig prosesjon?En marsjerende firedels-note motiv leder til et fredelig mellomparti hvor musikken beveger seg i en halvnotepuls. Dette stykke kan forsterke grunnleggende rytmiske begreper og samtidig jobbe med dynamiske kontraster.Scott Rogerser en komponist/arrangør/produsent/pedagog som har skrevet for unge musikanter i over tretti år. Barnas opplevelse av musikk har alltid stått sentralt i hans arbeid. Rogers har over 120 utgivelser fra 1994 og fram til i dag.Kick Off!er en serie for de aller yngste musikantene i korps eller kulturskole.Kick Off gir alle musikantene en melodistemme. Hver note har i tillegg en harmoni-stemme (B) eller en bass-stemme (C). Dette gjør at samspill kan gjøres fleksibelt og at alle har mulighetene for å kunne spille melodien. Melodien kan dermed repeteres flere ganger og utfordringene for den enkelte musikant blir fornyet hver gang. Dette gjør at intonasjon, balanse blir tydeliggjort på en hørbar måte.Det er en utfordring for saxofon og horn-stemmene når det gjelder omfang i samspill med de andre instrumentene. Derfor er det ikke skrevet ut B- og C-stemmer her, men egne stemmer for disse instrumentene. Dette gjør også at ensemblet vil klinge fyldigere når disse stemmene er med.I tillegg har Kick Off en enkel pianostemme som kan brukes når musikantene har lyst til å spille solo.BullseyeIt's a great feeling when you hit the bullseye! In this case, it means placing the eight-note rest right on the second beat so that the eight-note comes at the right time and leads on to the quarter note on the third beat. As a contrast, everything lands right on the beat in the middle section. This is a great way to introduce counting concepts and to work effectively with eighth- and quarter-note rhythms.Scott RogersScott Rogers is a composer/arranger/producer/educator who has been writing for young instrumentalists for over thirty years. The musical experience of children has always been the central focus of his work. Rogers has a published catalogue of over 120 pieces stretching from the current day and back to 1994.Kick Off!is a series for the very youngest musicians in a band or cultural school.Kick Off gives all musicians the melody part. Each part also has a harmony part (B) or a bass part (C). This allows for flexible use with different instrumentations, and gives everyone the opportunity to play the melody. The melody can be repeated several times with differing accompaniment and soloists. This makes each repetition of the material unique and meaningful for the musicians. When musicians have direct experience playing several parts, concepts like intonation and balance are easier to approach.There is a challenge with saxophone and horn parts. The key and ranges that work well for the other instruments create the need for separate parts for sax and horn. Therefore, B and C parts are not written for these instruments, but parts tailored for these instruments. Use of the sax/horn parts will also make the ensemble sound fuller.In addition, Kick Off has a simple piano part that can be used when the musicians want to play solo.
500 kr
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Eye of the tiger - Frankie Sullivan/Peterik arr Ole Bollom. Alma Junior Flex 4
Eye of the tiger - Alma Juniorserie Fleksibel 4-stemt Rocka låt fra filmens verden
445 kr
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Blyantholder stropp Leuchtturm 1917
Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.
50 kr
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120 hymns for Brass band 2nd & 3rd Cornet Bb A4
THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth 2. Abridge 3. Angelus 4. Aurelia 5. Austrian Hymn 6. Belmont 7. Blaenwern 8. Carlisle 9. Christ the King 10. Colne 11. Cor Jesu 12. Corpus Christi 13. Crimond 14. Cross of JeSus 15. Darwalls 148th 16. Day of Rest 17. Dennis 18. Diadem 19. Diademata 20. Divine Mysteries 21. Dix 22. Dominus Regit Me 23. Duke Street 24. Dundee (French) 25. Easter Hymn 26. Ein Feste Burg 27. Ellacombe 28. Ellers 29. Eventide 30. Franconia 31. Geibel 32. Gerontius 33. Gopsal 34. Hanover 35. Hollingside 36. Horsley 37. Hursley 38. Hyfrydol 39. Innocents 40. Kocher 41. Laudate Dominum 42. Laudes Domini 43. Lloyd 44. Lobe den Herren 45. Love Divine 46. Lux Benigna 47. Maidstone 48. Mannheim 49. Martyrdom 50. Maryton 51. Melcombe 52. Melita 53. Miles Lane 54. Misericordia 55. Missionary 56. Monkland, 57. Monks Gate 58. Morning Hymn 59. Morning Light 60. Moscow 61. National Anthem 62. Nearer, My God, To Thee 63. Nicæa, 64. Nottingham (Mozart) 65. Nun Danket 66. Old Hundredth 67. Passion Chorale 68. Penlan 69. Pentecost 70. Pilgrims 71. Praise my Soul 72. Redhead 73. Regent Square 74. Richmond 75. Rimmington 76. Rockingham 77. St. Agnes 78. St. Albinus 79. St. Ann 80. St. Bees 81. St. Cecilia 82. St. Clement 83. St. Columba 84. St. Cuthbert 85. St. Denio 86. St. Ethelwald 87. St. Francis 88. St. George 89. St. Gertrude 90. St. Magnus 91. St. Michael 92. St. Oswald 93. St. Peter 94. St. Theodulph 95. St. Theresa 96. Samuel 97. Sandon 98. Sawston 99. Sine Nomine 100. Stella 101. Stracathro 102. Stuttgart 103. Tallis Canon 104. Turris Davidica 105. Victory 106. Vox Dilecti 107. Wareham 108. Warrington 109. Westminster 110. When He Cometh 111. Whitburn 112. Wiltshire 113. Wir pflügen (Dresden) 114. O Come All Ye Faithful 115. Away in a Manger 116. Hark! The Herald Angels Sing 117. Once in Royal Davids City 118. Nowell 119. Silent Night 120. While Shepherds Watched 121. Angels from the Realms of Glory, 122. As with Gladness 123. Christians Awake 124. The Coventry Carol 125. Ding Dong Merrily on High 126. Deck the Halls 127. God Rest ye Merry Gentlemen 128. Good King Wenceslas 129. Good Christian Men Rejoice 130. The Holly and The Ivy 131. I Saw Three Ships 132. It Came upon the Midnight Clear 133. Jingle Bells, 134. O Little Town of Bethlehem 135. The Rocking Carol 136. See Amid the Winter Snow 137. Unto us a Child is Born 138. Wassail 139. We Three Kings 140. We Wish you a Merry Christmas Index of Hymns Index of Carols Index of first lines of hymns listed with commonly used tunes AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat
185 kr
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Mute Kornett/Trompet Practice UPMUTE
UpMute DescriptionThe UPMUTE practice mute gives a feeling of freedom and total control of the whole register and the intonation, from the lowest pedal tones until the highest register.Following the UPSOUND philosophy, UPMUTE is not just a practice mute; it improves the development of your sound quality and richness. Thanks to its perfect amount of resistance, it offers a great focus and centre in the sound, stabilizing day to day a great deal of frequencies and creating homogeneity in the associated harmonics.It gathers the five essential requirements:INTONATIONMINIMUM RESISTANCE TO THE AIR FLOWSOUND QUALITYVERY SOFT, IT DOES NOT DISTURBLIGHTWEIGHT AND EASILY TO CARRY AROUND in most bagsJust perfect!IMPORTANT: To put in or take out your mute, just pressure it against de bell or pull it out WITHOUT turning it, since it could cause premature wear of the rubber joinAvailable for trumpet, Spanish cornet, French horn, tenor trombone and bass trombone
1125 kr
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Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 50cm
Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 50cm
640 kr
580 kr
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Ergobrass Trompet Support, Full set
ERGOBRASS FOR TRUMPETAfter years of world wide success from our first innovation, the ERGObone for trombone players, the ERGObrass Ltd now proudly brings to the markets our innovation for every trumpetist and cornetist, the ERGObrass trumpet support. It is a new auxiliary device for all trumpet players which gives the player a more comfortable, effective and healthy way of playing the trumpet.The general idea of ERGObrass supports is based on a simple fact that all brass instruments are heavy to hold. We all know that relaxation is very important in brass playing. However, holding the instrument in playing position inevitably produces a static tenson in hands, arms, shoulders, upper body and throat.Most players can play with this tension, of course - but the tension is always there disturbing the performance.By using an ERGObrass support every brass player can stay totally relaxed while playing. And in addition to the better efficency, it is also very comfortable!DescriptionThis full set includes an attaching fastener with the eye bolt for the Quick Attaching Fastener to be placed onto the horn, a support rod with the Quick Attaching Fastener, a spring mechanism with disc lock, 38 cm support tube, rubber plug and screws and the belt pocket. It enables you to use the ERGObrass support device while sitting on a chair or while standing or walking.Check the video (YouTube) how to install and use the new ERGObrass trumpet support fastener.Related products:Additional fastener counterpart for trumpet, 3 piecesTelescopic-Extension-SetAdditional fastener counterpart for trumpetAdditional plate for Rotary Valve trumpet
2220 kr
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Mute Baritone Practice Denis Wick 5536
Mute Baritone Practice Denis Wick 5536 AluminiumDescription:Denis Wick practice mutes are perhaps the best teaching aid ever invented. Not only do they fulfil the need for the IN TUNE painless practice, so essential in the development of every young player and an indispensible 'hotel mute' for the professional, but they also possible an enormous improvement in tone quality using the entire vital capacity as a vibrating air column by opening the throat spaces through playing loudly in the low register.
1520 kr
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Hvordan Spille Moderne Trommesett, Ernst Wiggo Sandbakk
Hvordan Spille Moderne Trommesett, Ernst Wiggo Sandbakk, m/CDErnst Wiggo Sandbakk:Fra bokas forord:Etter å ha undervist trommeslagere i flere år, og underveis gransket markedet for aktuelt undervisningsmateriale, har jeg funnet at behovet for et norsk undervisningsopplegg for trommesett er stort. Dette har iverksatt meg med utarbeidelse av det materiale som nå foreligger.Hvordan spille moderne trommesett er et undervisnings- opplegg som kan sammenfattes under følgende punkter:· egner seg for nybegynnere.· vil fylle tomrom hos den viderekomne· egner seg til selvstudium· kan brukes til undervisning. Den er lagt opp slik at den også kan følge Kjell Samkopf's utmerkede "Praktisk Trommeskole del 1A, 1B, og del 2".· er et komplett opplegg for utvikling av koordinasjon mellom armer og bein.· har naturlig progresjon. Starter med enkle rocke-takter som steg for steg utvikler uavhengighet og ferdigheter i notelesning.· er en guide i dagens mest benyttede stilretninger. Presenterer de fleste typer rock, disco, shuffle, rocke-swing, jazz-swing, bossa-nova, samba, reggae, new-wave, punk, vispeteknikk, solo-øvelser samt en del tekniske øvelser.Hvordan spille moderne trommesett er en grundig innføring i trommesettspill, hvor den grunnleggende ide har vært å presentere anvendbare og praktiske ting. Det meste av innholdet i denne boka vil før eller senere komme til nytte hos en ivrig trommeslager.
405 kr
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Spider Nuts WTF Percussion, SNM
Spider Nuts WTF Percussion, SNMSpider Nuts Moldy goat nails may look nice, but they dont have a lot of volume. Weve redesigned the hihat rattle concept from the ground up, it now features a flexible press fit on the rod. This means you can set the height of the nuts to your liking. Theyre also way more durable than the hihat rattles you see in stores today. Have them dangling high for the most volume and sustain or press it all the way to the clutch for a tighter sound. You can also disengage the hihat clutch while keeping the Spider Nuts attached to the rod, this gives you the opportunity to play just the nuts with your hihat pedal! The Spider Nuts are easily stackable which creates a chunky, loud and groove inspiring sound!
355 kr