In the Name of the Holocaust, John Cage - Prepared Piano Solo

Purpose, Rikard Nordraak , her i utgave for Piano. Ofte brukt som Inn- eller Utmarsj ved bryllup. I omfang er scenemusikken til Bjørnsons skuespill Maria Stuart i Skotland Nordraaks hovedverk. Den vitner om hans uomtvistelige evne til dramatisk levendegjøring av en tekst, om kompositorisk dyktighet og innsikt i instrumentasjon. Den innledende, festpregede Purpose spilles idet teppet går opp for en fargesprakende ballscene på slottet Holyrood i EdinburghRichard Nordraak ble født i Christiania 12/6 1842. Hans musikalske begavelse viste seg allerede i barneårene.I 1859 reiste Nordraak til Berlin for å studere musikk. Han ble elev av Theodor Kullak og Friedrich Kiel, men etter et halvt års opphold måtte han reise hjem igjen.I Christiania ble han nå i 2 år og fikk i denne tida undervisning både i klaver og komposisjon av den tyske organist Rudolph Magnus.Høsten 1891 reise Nordraak igjen til Berlin og fortsatt musikkstudiene hos sine tidligere lærere. Oppholdet varte denne gang i nesten to år, og han kom ikke hjem til Christiania før sommeren 1863.I 1863 utgav han sitt egentlige op. 1, 6 romanser til tekster av Bjørnson, Magdalene Thoresen og Ewald. Vinteren 1863-64 var han hjemme i Christiania, og her ble "Ja, vi elsker" til. Sommeren 1864 reiste Nordraak til København igjen og ble der til neste vår. Dette var hans mest aktive og produktive periode. Han skrev musikk til Bjørnsons "Maria Stuart i Skotland" og han utga sitt opus 2, "Fem Norske Digte", romanser til tekster av Bjørnson og Jonas Lie. Dette er de siste av Nordraaks komposisjoner som ble trykt mens han levde.I mai 1865 dro Nordraak igjen til Berlin for å fortsette sin utdannelse. I oktober 1865 ble han angrepet av tuberkulose, og døde 20/3 1866.Nordraak levde ikke lenge nok til å produsere mange verker. Omkring 40 komposisjoner, for det meste mindre verk, er bevart. De består av fjorten sanger for mannskor, scenemusikk til Bjørnsons skuespill Sigurd Slembe og Maria Stuart av Skotland og noen få klaververker.Utdrag fra Nils Grinde: Norsk Musikkhistorie. - Oslo : Musikk-Husets Forlag, cop. 1993. ISBN 82-91379-00-9

To Erika Lie-NilssenHolberg Suite, Edvard Grieg Op. 40  Prelude SarabandeGavotte Air Rigadon  

MASTERPIECES FOR PIANOMozart: Piano Masterpieces brings together original piano works by Wolfgang Amadeus Mozart, suitable for intermediate to advanced level players. Arranged in progressive order, the collection includes a mixture of favourites and lesser-known works, with a cover design featuring Jean Honoré Fragonards painting, The Swing.The Masterpieces for Piano series presents superb collections of core repertoire by the great piano composers. These beautifully produced, carefully curated editions provide pianists with an excellent overview of each composer and should be an essential part of all players libraries. Suitable for intermediate to advanced level players.Item code: EP20010ISBN: M577024547EAN: 9790577024547Publisher: Edition PetersArrangement format: Piano SoloInstruments: PianoGenre: ClassicalDifficulty: IntermediatePages: 176Language: English, German 

Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.

101 - Music standProduct variant: 10100-013-55 - blackDataHeight from 650 to 1,225 mmLeg construction brace construction, folds compactlyMaterial steelMusic desk traditionally foldableMusic desk dimensio4n4s0 x 215 mmProduct Category BaselineRod combination 3-piece folding designSize when folded 390 mmSpecial features the K&M ClassicType blackWeight 1.04 kgOur classic music stand has been redesigned. To provide new user friendly and comfortable height adjustment, the 101 was supplemented with clamp elements which protect the finish.The powder coating is extremely resistant to wear and tear and guarantees optimal protection against corrosion. With the optional carrying case, the collapsible music stand is always stored way and can be easily transported to any destination.

SSHHMUTE - DESIGNED AND PRODUCED BY BREMNER MUSICNeeding to practice at odd times and in odd places over the years (and the absence of a suitable mute) was the reason Trevor Bremner designed the sshhmute. In development over several years in his New Plymouth workshop, the sshhmute is at long last in full commercial production and has been successfully launched to answer a market need for an effective mute for brass instruments in a price range to suit budding musicians and professionals alike.In development over several years in his New Plymouth workshop, the sshhmute is at long last in full commercial production and has been successfully launched to answer a market need for an effective mute for brass instruments in a price range to suit budding musicians and professionals alike. The sshhmute is available for:Trumpet/CornetPiccolo TrumpetTenor TromboneBass TromboneFrench HornTenor HornFlugel HornBaritoneThe Sshhmute is sold as a single item.Soft fabric carry bag included.Available Colours:BlackBlueGreenOrangePinkPurpleRedWhiteYellowPS! Gi beskjed ved bestilling dersom en spesiell farve er foretrukket

Trommestikker Freer Percussion SINF, Light Orchestral HornwoodFREER LIGHT ORCHESTRAL HORNWOOD SIGNATURE MODEL SINFHornwood Models, Snare Drum SticksDESCRIPTION Freer Light Orchestral Hornwood Signature Model The Hornwood light orchestral retains its shape from the tip back however I have deliberately chosen to eliminate the taper in the back. This increases the back weight feel of the stick just enough to help it rebound quicker which you can really feel in playing doubles such as 4 stroke ruffs in Lt. Kije and 7s in Scheherezade. By making this model out of Hornwood Im also able to increase the weight of the stick without increasing size and bulk. Our Hornwood is very dense and hard and adds a couple grams of weight as well. The feel is something like rosewood or ebony but without the excessive vibration and low pitch that come with those woods. It is also extremely durable and will likely last you a lifetime if cared for properly. I feel this is the absolute best version of this stick I have come up with to date. Really a perfect stick for ANY soft playing that requires clarity.

Vi Spiller Piano 1, Carl Bertil Agnestig