Norwegian Bridal Procession March for Piano opus 19 no 2 , Edvard Grieg

Purpose, Rikard Nordraak , her i utgave for Piano. Ofte brukt som Inn- eller Utmarsj ved bryllup. I omfang er scenemusikken til Bjørnsons skuespill Maria Stuart i Skotland Nordraaks hovedverk. Den vitner om hans uomtvistelige evne til dramatisk levendegjøring av en tekst, om kompositorisk dyktighet og innsikt i instrumentasjon. Den innledende, festpregede Purpose spilles idet teppet går opp for en fargesprakende ballscene på slottet Holyrood i EdinburghRichard Nordraak ble født i Christiania 12/6 1842. Hans musikalske begavelse viste seg allerede i barneårene.I 1859 reiste Nordraak til Berlin for å studere musikk. Han ble elev av Theodor Kullak og Friedrich Kiel, men etter et halvt års opphold måtte han reise hjem igjen.I Christiania ble han nå i 2 år og fikk i denne tida undervisning både i klaver og komposisjon av den tyske organist Rudolph Magnus.Høsten 1891 reise Nordraak igjen til Berlin og fortsatt musikkstudiene hos sine tidligere lærere. Oppholdet varte denne gang i nesten to år, og han kom ikke hjem til Christiania før sommeren 1863.I 1863 utgav han sitt egentlige op. 1, 6 romanser til tekster av Bjørnson, Magdalene Thoresen og Ewald. Vinteren 1863-64 var han hjemme i Christiania, og her ble "Ja, vi elsker" til. Sommeren 1864 reiste Nordraak til København igjen og ble der til neste vår. Dette var hans mest aktive og produktive periode. Han skrev musikk til Bjørnsons "Maria Stuart i Skotland" og han utga sitt opus 2, "Fem Norske Digte", romanser til tekster av Bjørnson og Jonas Lie. Dette er de siste av Nordraaks komposisjoner som ble trykt mens han levde.I mai 1865 dro Nordraak igjen til Berlin for å fortsette sin utdannelse. I oktober 1865 ble han angrepet av tuberkulose, og døde 20/3 1866.Nordraak levde ikke lenge nok til å produsere mange verker. Omkring 40 komposisjoner, for det meste mindre verk, er bevart. De består av fjorten sanger for mannskor, scenemusikk til Bjørnsons skuespill Sigurd Slembe og Maria Stuart av Skotland og noen få klaververker.Utdrag fra Nils Grinde: Norsk Musikkhistorie. - Oslo : Musikk-Husets Forlag, cop. 1993. ISBN 82-91379-00-9

Grieg Klavierwerke / Pianoworks 1Lyrische Stücke / Lyric pieces / Lyriske StykkerOp 12, 38, 43, 47, 54, 57, 62, 65, 68, 71. Inneholder: Arietta Es-Dur op. 12; 1 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 1)Vals [Walzer] a-Moll op. 12; 2 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 2)Vektersang [Wächterlied] E-Dur op. 12; 3 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 3) Alfedans [Elfentanz] e-Moll op. 12; 4 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 4)Folkevise [Volksweise] fis-Moll op. 12; 5 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 5)Norsk [Norwegisch] D-Dur op. 12; 6 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 6)Albumblad [Albumblatt] e-Moll op. 12; 7 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 7)Fedrelandssang [Vaterländisches Lied] Es-Dur op. 12; 8 -für Klavier- (Lyrische Stücke - Heft 1 - Nr. 8)Berceuse G-Dur op. 38; 1 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 1)Folkevise [Volksweise] e-Moll op. 38; 2 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 2)Melodi [Melodie] C-Dur op. 38; 3 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 3)Halling g-Moll op. 38; 4 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 4)Springdans G-Dur op. 38; 5 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 5)Elegi [Elegie] a-Moll op. 38; 6 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 6)Vals [Walzer] e-Moll op. 38; 7 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 7)Kanon b-Moll op. 38; 8 -für Klavier- (Lyrische Stücke - Heft 2 - Nr. 7)Sommerfugl [Schmetterling] A-Dur op. 43; 1 -für Klavier- (Lyrische Stücke - Heft 3 - Nr. 1)Ensom vandrer [Einsamer Wanderer] h-Moll op. 43; 2 -für Klavier- (Lyrische Stücke - Heft 3 - Nr. 2)I hjemmet [In der Heimat] Fis-Dur op. 43; 3 -für Klavier- (Lyrische Stücke - Heft 3 - Nr. 3)Småfugl [Vöglein] d-Moll op. 43; 4 -für Klavier- (Lyrische Stücke - Heft 3 - Nr. 4)Erotikk [Erotik] F-Dur op. 43; 5 -für Klavier- (Lyrische Stücke - Heft 3 - Nr. 5)Til våren [An den Frühling] Fis-Dur op. 43; 6 -für Klavier- (Lyrische Stücke - Heft 3 - Nr. 6)Valse-Impromptu e-Moll op. 47; 1 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 1)Albumblad [Albumblatt] F-Dur op. 47; 2 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 2) Melodi [Melodie] a-Moll op. 47; 3 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 3)Halling D-Dur op. 47; 4 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 4)Melankoli [Melancholie] g-Moll op. 47; 5 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 5)Springdans G-Dur op. 47; 6 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 6)Elegi [Elegie] h-Moll op. 47; 7 -für Klavier- (Lyrische Stücke - Heft 4 - Nr. 7)Gjetergutt [Hirtenknabe) g-Moll op. 54; 1 -für Klavier- (Lyrische Stücke - Heft 5 - Nr. 1)Gangar [Norwegischer Bauernmarsch] C-Dur op. 54; 2 -für Klavier- (Lyrische Stücke - Heft 5 - Nr. 2)Trolltog [Zug der Trolle] d-Moll op. 54; 3 -für Klavier- (Lyrische Stücke - Heft 5 - Nr. 3)Notturno C-Dur op. 54; 4 -für Klavier- (Lyrische Stücke - Heft 5 - Nr. 4)Scherzo e-Moll op. 54; 5 -für Klavier- (Lyrische Stücke - Heft 5 - Nr. 5)Klokkeklang [Glockengeläute] C-Dur op. 54; 6 -für Klavier- (Lyrische Stücke - Heft 5 - Nr. 6)Svunne dager [Entschwundene Tage] d-Moll op. 57; 1 -für Klavier- (Lyrische Stücke - Heft 6 - Nr. 1)Gade A-Dur op. 57; 2 -für Klavier- (Lyrische Stücke - Heft 6 - Nr. 2)Illusjon [Illusion] a-Moll op. 57; 3 -für Klavier- (Lyrische Stücke - Heft 6 - Nr. 3)Hemmelighet [Geheimnis] G-Dur op. 57; 4 -für Klavier- (Lyrische Stücke - Heft 6 - Nr. 4)Hun danser [Sie tanzt] C-Dur op. 57; 5 -für Klavier- (Lyrische Stücke - Heft 6 - Nr. 5)Hjemve [Heimweh] e-Moll op. 57; 6 -für Klavier- (Lyrische Stücke - Heft 6 - Nr. 6)Sylfide [Sylphe] h-Moll op. 62; 1 -für Klavier- (Lyrische Stücke - Heft 7 - Nr. 1)Takk [Dank] G-Dur op. 62; 2 -für Klavier- (Lyrische Stücke - Heft 7 - Nr. 2)Fransk serenade [Französische Serenade] A-Dur op. 62; 3 -für Klavier- (Lyrische Stücke - Heft 7 - Nr. 3)Bekken [Bächlein] h-Moll op. 62; 4 -für Klavier- (Lyrische Stücke - Heft 7 - Nr. 4)Drømmesyn [Traumgesicht] A-Dur op. 62; 5 -für Klavier- (Lyrische Stücke - Heft 7 - Nr. 5)Hjemad [Heimwärts] E-Dur op. 62; 6 -für Klavier- (Lyrische Stücke - Heft 7 - Nr. 6)Fra ungdomsdagene [Aus jungen Tagen] d-Moll op. 65; 1 -für Klavier- (Lyrische Stücke - Heft 8 - Nr. 1)Bondens sang [Lied des Bauern] A-Dur op. 65; 2 -für Klavier- (Lyrische Stücke - Heft 8 - Nr. 2)Tungsinn [Schwermut] h-Moll op. 65; 3 -für Klavier- (Lyrische Stücke - Heft 8 - Nr. 3)Salong [Salon] A-Dur op. 65; 4 -für Klavier- (Lyrische Stücke - Heft 8 - Nr. 4)I balladetone [Im Balladenton] c-Moll op. 65; 5 -für Klavier- (Lyrische Stücke - Heft 8 - Nr. 5)Bryllupsdag på Troldhaugen [Hochzeitstag auf Troldhaugen] D-Dur op. 65; 6 -für Klavier- (Lyrische Stücke - Heft 8 - Nr. 6)Matrosens oppsang [Matrosenlied] C-Dur op. 68; 1 -für Klavier- (Lyrische Stücke - Heft 9 - Nr. 1)Bestemors menuett [Großmutters Menuett] G-Dur op. 68; 2 -für Klavier- (Lyrische Stücke - Heft 9 - Nr. 2)For dine føtter [Zu deinen Füßen] D-Dur op. 68; 3 -für Klavier- (Lyrische Stücke - Heft 9 - Nr. 3)Aften på høyfjellet [Abend im Hochgebirge] e-Moll op. 68; 4 -für Klavier- (Lyrische Stücke - Heft 9 - Nr. 4)Bådnlat [An der Wiege] E-Dur op. 68; 5 -für Klavier- (Lyrische Stücke - Heft 9 - Nr. 5)Valse mélancolique g-Moll op. 68; 6 -für Klavier- (Lyrische Stücke - Heft 9 - Nr. 6)Det var engang [Es war einmal] e-Moll op. 71; 1 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 1)Sommeraften [Sommerabend] Des-Dur op. 71; 2 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 2)Smatroll [Kobold] es-Moll op. 71; 3 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 3)Skogstillhet [Waldesstille] H-Dur op. 71; 4 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 4)Halling C-Dur op. 71; 5 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 5)Forbi [Vorüber] e-Moll op. 71; 6 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 6)Efterklang [Nachklänge] Es-Dur op. 71; 7 -für Klavier- (Lyrische Stücke - Heft 10 - Nr. 7)

3 Fantasy Pieces op. 111

Bärenreiter Jubileumskampanje - Jubileumspris gjelder så langt forlagets lager rekker! Mozart, Wolfgang AmadeusSelected Piano PiecesDetailed product informationVolume / Series: BÄRENREITER URTEXTInstrumentation of the work: Piano soloLanguage(s) of text: German, EnglishProduct format: Performance score, Urtext editionComments: Excerpt from BA05745, BA09177Binding: StapledPages / Format: 14 S. - 31,0 x 24,3 cmEdition no.: BA08644ISMN: 9790006577361DescriptionBärenreiter is closely connected with Mozart. The complete works of the ingenious composer have been published in the benchmark New Mozart Edition issued by Bärenreiter. Moreover, the vast majority of compositions are available in performing Urtext editions based on the musical text of the New Mozart Edition. There is hardly a musical area in which Mozart did not excel during his short life, and this is also true of piano music. His concertos, sonatas, four-hand works, as well as many individual pieces are part of the standard repertoire.This collection turns to the young composer with three small pieces taken from "The Music Books of Mozart and His Sister" (BA09177). The Fantasy in D minor K. 397 (probably completed by August Eberhard Müller) and the Gigue in G major K. 574 from the volume "Miscellaneous Works for Piano" (BA05745) showcase the mature composer. The edition appears as part of a series of popular works from the Bärenreiter catalogue for the 100th anniversary of the publishing house.Content· Menuett in F major KV/K. 5 - No. 61 from: The Music Books of Mozart and His Sister· Piano Piece in C major KV/K. 9 a (5 a) - No. 20 from: The Music Books of Mozart and His Sister· Piano Piece in F major KV/K. 33 B - from: Miscellaneous Works for Piano· Gigue in G major KV/K. 574 - from: Miscellaneous Works for Piano· Fantasia in D minor (Fragment) KV/K. 397 (385 g) - from: Miscellaneous Works for Piano· March in F major (I) - No. 22 from: The Music Books of Mozart and His Sister· Allegro in B-flat major KV/K. 3 - No. 59 from: The Music Books of Mozart and His Sister

Geirr Tveitt: Femti Folkatonar frao Hardanger Nr 1-50, Opus 150.Samla, nedskrivne og teskjopa aout piano.Kommentarer er trykket på både norsk og engelsk. Flere av folketonene er med tekst.Innhold:1 Vel komne med æra/ Welcome with honour2 Flyte-ljod/Flute sound3 Friar foter/ A-wooing4 Songjen slutt i siste liten/The song ended just in time5 Pao veg te brudlaups/On to the bridal farm6 Velkomen i brudlaupsgaren/ Welcome in the bridal farm7 Krune-brure/ The crown bride  8 Brurateven/ Brurateven  9 Dan fagraste viso pao jor/The most beautiful song on earth  10 Noko te 01! Noget til oil!/ What beer! - Que cerveza tan fuerte!  11 Guds godhet og Guds storhet/ God's goodness and God's greatness12 Storskrytarstevsongviseslatten/The boasters' ballad13 Skautakono/The wife with the white cap14 Skottrarar/The pranksters15 Hardingfelesong/Hardanger fiddle song16 Syrgjeleg song urn em n torn brednevins-dunk/A mournful ballad for an empty brandy keg  17 Byssa byssa badne/Hush a bye baby18 Badnatrall/Tingle19 Siste far-ye!/Fare thee well  20 Folgafodne fortel ingjenting/The glacier is silent  21 Bu-for a/The cattle   22 Te Tveittestolen/Towards the Tveitt hill-farm23 Gamalt sel/An old mountain cabin24 Luren ljomar/The call of the shepherd's horn 25 Budeio lokkar/The call of the dairy maid26 Moltor og myrabr/Cloudberries and moorberries  27 Langeleik-lat/Langeleik tune  28 Fjelllokk/Mountain call  29 Haustkveld i kvednhuse/Autumn evening at the mill house 30 Eldebrand i skjeggje/Fire in the beard 31 Te Turid/hind's ballad 32 Vettraver pao vidd/Winter storm in the mountains   33 Graott og laott aot em n baot/Tears and laughter for a boat  34 Rikje-Ragna/Rich Ragna 35 Huldrahaugjen/Fairy hill 36 Hardingfela utan streng/The stringless hardangerfiddle 37 Dan langje langje vettranatt/The long, long winter night 38 Barnefaren/ The father of the child 39 Gjisnar-helg/Visiting saturday in the mountains 40 Guten med sylvknappar/The lad with silver buttons 41 A Stavkyrkje-stev (A)/Stave church chant 41 B Stavkyrkje-stev (B)/Stave church chant 42 Heimlenkt/ Nostalgia43 Fjedlmans-jento/The mountaineer's daughter 44 Langofar-tonen/Great grandfather's tune 45 Jolasong/Christmas song 46 A, naoe meg no fø ml tusta/Alas, my girl47 Folkevise av vise folk urn visse folk/Wise folks gossip about certain people (Norwegian play on words)48 Uventa brudlaups sjau/The hasty wedding49 Upskoka/Consecration of the new beer 50 Hardingol/Home brew   

Ferruccio BusoniChorale Preludes (Johann Sebastian Bach)Editor: Ullrich Scheideler, Christian SchaperFingering: Marc-André HamelinUrtext Edition, Arrangement for Piano, paperboundOrder no. HN 1293 · ISMN 979-0-2018-1293-9Alongside the Chaconne for violin, the ten Chorale Preludes for organ are Busonis best-known piano transcriptions of works by J. S. Bach. Unlike the Chaconne, which Busoni envisaged for concert performance, he transcribed the Chorale Preludes in chamber-music style. A great deal of this organ/piano edition can also be played by advanced amateurs. We are publishing Busonis definitive version in the first modern Urtext edition with valuable fingering suggestions by Marc-André Hamelin. And what is more, in the appendix we are publishing an eleventh chorale prelude for the first time: Busonis transcription of Aus tiefer Not. With regard to performing its six-part setting, the composer himself spoke of an extreme performance limit but why not judge for yourself! ContentsChorale PreludesKomm, Gott, Schöpfer!Wachet auf, ruft uns die StimmeNun komm' der Heiden HeilandNun freut euch, lieben ChristenIch ruf' zu dir, HerrHerr Gott, nun schleuß den Himmel auf!Durch Adams Fall ist ganz verderbtDurch Adams Fall ist ganz verderbtIn dir ist FreudeJesus Christus, unser Heiland, der von uns den Zorn Gottes wandtAppendix: Aus tiefer Not schrei ich zu Dir

Piano Sonata op. 1

Suzuki Violin School, Volume 4International EditionBy Shinichi Suzuki / violin perf. Augustin Hadelich / accomp. perf. Kuang-Hao HuangViolin Book & CDDescriptionTeach violin with the popular Suzuki Violin School. The Suzuki Method® of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the "mother-tongue" approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Violin School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person.This Suzuki Book & CD is integral for Suzuki violin lessons. This International Edition of the Suzuki Violin School, Volume 4 features:* New editing of pieces, including bowings and fingerings* Additional exercises, some from Shinichi Suzuki, plus additional insight and suggestions for teachers* Text in English, French, German, and Spanish* New Musical Terms* Composers* CD features new recordings by Augustin Hadelich in collaboration with pianist Kuang-Hao Huang, as well as piano accompaniment only tracks for play-along purposes.Titles: Lullaby (Schubert) * Lullaby (Brahms) * Concerto No. 2 in G Major, Op. 13, 3rd Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 1st Movement (Seitz) * Concerto No. 5 in D Major, Op. 22, 3rd Movement (Seitz) * Concerto in A Minor, 1st Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Concerto in A Minor, 3rd Movement, Op. 3, No. 6 (Vivaldi/Nachéz) * Perpetual Motion, "Little Suite No. 6" (Bohm) * Concerto for Two Violins in D Minor, BWV 1043, Violins I and II (Bach) * Concerto for Two Violins in D Minor, BWV 1043, Violins II (Bach) * Concerto for Two Violins in D Minor, BWV 1043, Violins I (Bach).Additional InformationSeries: Suzuki Violin SchoolComposed by: Shinichi SuzukiPerformed By: Augustin Hadelich, Kuang-Hao HuangInstrument: ViolinFormat: Book & CDPage Count: 32Item Number: 00-50106ISBN 10: 1-4706-5163-7ISBN 13: 978-1-4706-5163-3UPC: 038081572536 

Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.

Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 50cm

THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth   2. Abridge     3. Angelus     4. Aurelia     5. Austrian Hymn       6. Belmont     7. Blaenwern   8. Carlisle    9. Christ the King       10. Colne      11. Cor Jesu    12. Corpus Christi       13. Crimond    14. Cross of JeSus        15. Darwalls 148th       16. Day of Rest   17. Dennis     18. Diadem     19. Diademata   20. Divine Mysteries      21. Dix       22. Dominus Regit Me     23. Duke Street   24. Dundee (French)      25. Easter Hymn        26. Ein Feste Burg       27. Ellacombe   28. Ellers       29. Eventide     30. Franconia     31. Geibel      32. Gerontius     33. Gopsal      34. Hanover     35. Hollingside   36. Horsley     37. Hursley     38. Hyfrydol     39. Innocents     40. Kocher      41. Laudate Dominum     42. Laudes Domini       43. Lloyd       44. Lobe den Herren       45. Love Divine   46. Lux Benigna   47. Maidstone    48. Mannheim    49. Martyrdom   50. Maryton     51. Melcombe    52. Melita      53. Miles Lane     54. Misericordia   55. Missionary    56. Monkland,    57. Monks Gate   58. Morning Hymn       59. Morning Light        60. Moscow     61. National Anthem       62. Nearer, My God, To Thee  63. Nicæa,      64. Nottingham (Mozart)    65. Nun Danket   66. Old Hundredth       67. Passion Chorale       68. Penlan      69. Pentecost      70. Pilgrims      71. Praise my Soul         72. Redhead      73. Regent Square         74. Richmond     75. Rimmington    76. Rockingham    77. St. Agnes      78. St. Albinus     79. St. Ann      80. St. Bees      81. St. Cecilia     82. St. Clement    83. St. Columba    84. St. Cuthbert    85. St. Denio     86. St. Ethelwald         87. St. Francis    88. St. George    89. St. Gertrude    90. St. Magnus    91. St. Michael    92. St. Oswald    93. St. Peter      94. St. Theodulph        95. St. Theresa    96. Samuel      97. Sandon      98. Sawston      99. Sine Nomine         100. Stella       101. Stracathro     102. Stuttgart      103. Tallis Canon         104. Turris Davidica        105. Victory      106. Vox Dilecti    107. Wareham     108. Warrington    109. Westminster    110. When He Cometh      111. Whitburn     112. Wiltshire     113. Wir pflügen (Dresden)    114. O Come All Ye Faithful    115. Away in a Manger      116. Hark! The Herald Angels Sing         117. Once in Royal Davids City  118. Nowell      119. Silent Night    120. While Shepherds Watched    121. Angels from the Realms of Glory,    122. As with Gladness       123. Christians Awake       124. The Coventry Carol      125. Ding Dong Merrily on High      126. Deck the Halls        127. God Rest ye Merry Gentlemen         128. Good King Wenceslas    129. Good Christian Men Rejoice     130. The Holly and The Ivy    131. I Saw Three Ships       132. It Came upon the Midnight Clear      133. Jingle Bells,    134. O Little Town of Bethlehem         135. The Rocking Carol      136. See Amid the Winter Snow      137. Unto us a Child is Born    138. Wassail      139. We Three Kings        140. We Wish you a Merry Christmas    Index of Hymns  Index of Carols  Index of first lines of hymns listed with commonly used tunes  AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat 

UpMute DescriptionThe UPMUTE practice mute gives a feeling of freedom and total control of the whole register and the intonation, from the lowest pedal tones until the highest register.Following the UPSOUND philosophy, UPMUTE is not just a practice mute; it improves the development of your sound quality and richness. Thanks to its perfect amount of resistance, it offers a great focus and centre in the sound, stabilizing day to day a great deal of frequencies and creating homogeneity in the associated harmonics.It gathers the five essential requirements:INTONATIONMINIMUM RESISTANCE TO THE AIR FLOWSOUND QUALITYVERY SOFT, IT DOES NOT DISTURBLIGHTWEIGHT AND EASILY TO CARRY AROUND in most bagsJust perfect!IMPORTANT: To put in or take out your mute, just pressure it against de bell or pull it out WITHOUT turning it, since it could cause premature wear of the rubber joinAvailable for trumpet, Spanish cornet, French horn, tenor trombone and bass trombone 

Hvordan Spille Moderne Trommesett, Ernst Wiggo Sandbakk, m/CDErnst Wiggo Sandbakk:Fra bokas forord:Etter å ha undervist trommeslagere i flere år, og underveis gransket markedet for aktuelt undervisningsmateriale, har jeg funnet at behovet for et norsk undervisningsopplegg for trommesett er stort. Dette har iverksatt meg med utarbeidelse av det materiale som nå foreligger.Hvordan spille moderne trommesett er et undervisnings- opplegg som kan sammenfattes under følgende punkter:· egner seg for nybegynnere.· vil fylle tomrom hos den viderekomne· egner seg til selvstudium· kan brukes til undervisning. Den er lagt opp slik at den også kan følge Kjell Samkopf's utmerkede "Praktisk Trommeskole del 1A, 1B, og del 2".· er et komplett opplegg for utvikling av koordinasjon mellom armer og bein.· har naturlig progresjon. Starter med enkle rocke-takter som steg for steg utvikler uavhengighet og ferdigheter i notelesning.· er en guide i dagens mest benyttede stilretninger. Presenterer de fleste typer rock, disco, shuffle, rocke-swing, jazz-swing, bossa-nova, samba, reggae, new-wave, punk, vispeteknikk, solo-øvelser samt en del tekniske øvelser.Hvordan spille moderne trommesett er en grundig innføring i trommesettspill, hvor den grunnleggende ide har vært å presentere anvendbare og praktiske ting. Det meste av innholdet i denne boka vil før eller senere komme til nytte hos en ivrig trommeslager.  

ERGOBRASS FOR TRUMPETAfter years of world wide success from our first innovation, the ERGObone for trombone players, the ERGObrass Ltd now proudly brings to the markets our innovation for every trumpetist and cornetist, the ERGObrass trumpet support. It is a new auxiliary device for all trumpet players which gives the player a more comfortable, effective and healthy way of playing the trumpet.The general idea of ERGObrass supports is based on a simple fact that all brass instruments are heavy to hold. We all know that relaxation is very important in brass playing. However, holding the instrument in playing position inevitably produces a static tenson in hands, arms, shoulders, upper body and throat.Most players can play with this tension, of course - but the tension is always there disturbing the performance.By using an ERGObrass support every brass player can stay totally relaxed while playing. And in addition to the better efficency, it is also very comfortable!DescriptionThis full set includes an attaching fastener with the eye bolt for the Quick Attaching Fastener to be placed onto the horn, a support rod with the Quick Attaching Fastener, a spring mechanism with disc lock, 38 cm support tube, rubber plug and screws and the belt pocket. It enables you to use the ERGObrass support device while sitting on a chair or while standing or walking.Check the video (YouTube) how to install and use the new ERGObrass trumpet support fastener.Related products:Additional fastener counterpart for trumpet, 3 piecesTelescopic-Extension-SetAdditional fastener counterpart for trumpetAdditional plate for Rotary Valve trumpet 

Mute Baritone Practice Denis Wick 5536 AluminiumDescription:Denis Wick practice mutes are perhaps the best teaching aid ever invented. Not only do they fulfil the need for the IN TUNE painless practice, so essential in the development of every young player and an indispensible 'hotel mute' for the professional, but they also possible an enormous improvement in tone quality using the entire vital capacity as a vibrating air column by opening the throat spaces through playing loudly in the low register.