Dark Abyss - Fredrick Schjelderup - 05:40 - BVT147Dark Abyss was written for Eikanger-Bjørsvik Musikklag for their Siddis Brass and Brass in Concert-program, 'Tales of the North Sea' in 2017.The piece describes the dark and unknown parts of the North Sea. The thematic material is dark and full of effects trying to imagine whats hiding down at the bottom of the ocean. Noter fra BVT kan alternativt leveres digitalt. Dersom det er digital versjon du ønsker istedetfor fysisk eksemplar, gi beskjed via kommentarfeltet i nettbutikken. Fraktutlegget i nettbutikken blir fjernet manuelt før vi belaster betalingskort eller fakturer ordren.
DescriptionDanse Diabolique - Joseph Hellmesberger Jr. (arr. Bert Van Thienen) - 5'55'' - BVT008Lovely classic work from the Viennese repertoire written by Joseph Hellmesberger Jr. (1855-1907). Known from the New Year's concerts of the Vienna Philharmonic.Noter fra BVT kan alternativt leveres digitalt. Dersom det er digital versjon du ønsker istedetfor fysisk eksemplar, gi beskjed via kommentarfeltet i nettbutikken. Fraktutlegget i nettbutikken blir fjernet manuelt før vi belaster betalingskort eller fakturer ordren.
The crossing of a mountain pass is called traversada in Romansh. Such a crossing bears uncertainties and dangers, but also hope and new opportunities. Whoever sets out for a traversada is leaving behind whats familiar in the quest for new places and people. The piece Traversada, based on a Romansh song about farewell and uncertain reunion, musically depics such a journey. At the offset, off-stage soloists introduce fragments of the melody after which a dramatic narrative unfolds. An intense musical shift leads to a calm section, featuring the original melody in pulsating, muted sound colours. Towards the end, the whole structure is gradually rebuilt andleads to an exuberant ending, where the vibrant melodic motifs reemerge.Composer Oliver WaespiMR-Product Format Score and PartsInstrument Group Concert BandInstrumentation Concert Band/HarmonieProduct Type SetEuropean Parts Incl. YesSeries Beriato Concert WorksGrade of Difficulty 5Band Grade of Difficulty Grade 5Publisher Beriato Music PublishingGenreView Description Concert PieceYear of Publication 2019Definitive Duration 00:11:55Edition Number BMP19011673
DESCRIPTIONRecording artist Michael Buble helped to make this Latin standard popular once again. Featuring a smooth and infectious groove and interesting percussion writing, this is a natural choice for young bands.SPECIFICATIONSComposer Norman GimbelComposer Pablo Beltrán RuizMR-Product Format Score & PartsArranger Michael BrownInstrument Group Concert BandInstrumentation Concert Band/HarmonieProduct Type SetEuropean Parts Incl. YesSeries Discovery Plus Concert BandGrade of Difficulty 2Band Grade of Difficulty Grade 2Publisher Hal LeonardGenreView Description LatinStyle TraditionalYear of Publication 2010Definitive Duration 00:02:25UPC 884088514686Edition Number HL08725272No. HL08725272
FORDI JEG ELSKER DEGDenne melodien er den norske versjonen av Bob Dylans 'Make You Feel My Love' Gjendiktet av Bjarne Hjelmeland og fremført av bl.a. Ingebjørg Bratland. På engelsk er den også fremført av mange artister, bl.a. er Adeles versjon veldig kjent. Teksten er en hyllest til kjærligheten og i større og større grad fremført i brylluper. Arrangementet er flere steder ganske tynt skrevet, pass derfor på at balansen mellom solister og akkompagnement er god og at balansen innad i gruppen også er det. Stykket holdes hele veien i en svak og middels styrkegrad, pass på at det ikke blir for sterkt, samtidig som man ivaretar noterte dynamiske variasjoner. MAKE YOU FEEL MY LOVEThis melody is the Norwegian version of 'Make You Feel My Love' composed by Bob Dylan. The lyrics is translated by Bjarne Hjelmeland and the song performed by, among others, Norwegian singer Ingebjørg Bratland. The English version is also widely covered, notably by Adele. The lyrics is a tribute to love, and the song is a popular song for weddings.Watch balance all times, both regarding foreground/background and within instrument groups. The piece is in soft and middle soft dynamics. Make sure that it is not too loud, while maintaining marked dynamic variations.___________________________________________________________________IDAR TORSKANGERPOLL (1970)Idar kommer fra den lille bygda Torskangerpoll i Vågsøy kommune på Vestlandet. Han vokste opp i en familie der så godt som alle spilte i korps. Idar har sin utdannelse fra Universitetene i Trondheim og Oslo, der han har studert komposisjon på hovedfagsnivå. Idar er i dag en meget aktiv komponist og arrangør, og skriver for mange ulike besetningstyper og solo-instrumenter. Hans produksjon spenner fra musikk for aspirantkorps via ulike kammermusikalske stykker til korps-symfonier og solo-konserter. Idar er også aktiv som dirigent for korps over hele Norge, og som foredragsholder og lærer ved kurs i regi av NMF. Alle Idars utgivelser er tilgjengelige fra Norsk Noteservice as. IDAR TORSKANGERPOLL (1970)Idar was born in a small village called Torskangerpoll in the western part of Norway. He grew up in a family where everyone played in the local wind-band. Idar attended the Universities of Trondheim and Oslo, where he studied composition on Master-degree level. His production spans from music for beginning band via chamber-music pieces to symphonies for band and solo-concertos. Idar is also active as conductor for bands all over Norway, and as a lecturer and teacher on courses arranged by the Norwegian Band Federation. All of Idars published works are available from Norsk Noteservice as
Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.
UpMute DescriptionThe UPMUTE practice mute gives a feeling of freedom and total control of the whole register and the intonation, from the lowest pedal tones until the highest register.Following the UPSOUND philosophy, UPMUTE is not just a practice mute; it improves the development of your sound quality and richness. Thanks to its perfect amount of resistance, it offers a great focus and centre in the sound, stabilizing day to day a great deal of frequencies and creating homogeneity in the associated harmonics.It gathers the five essential requirements:INTONATIONMINIMUM RESISTANCE TO THE AIR FLOWSOUND QUALITYVERY SOFT, IT DOES NOT DISTURBLIGHTWEIGHT AND EASILY TO CARRY AROUND in most bagsJust perfect!IMPORTANT: To put in or take out your mute, just pressure it against de bell or pull it out WITHOUT turning it, since it could cause premature wear of the rubber joinAvailable for trumpet, Spanish cornet, French horn, tenor trombone and bass trombone
THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth 2. Abridge 3. Angelus 4. Aurelia 5. Austrian Hymn 6. Belmont 7. Blaenwern 8. Carlisle 9. Christ the King 10. Colne 11. Cor Jesu 12. Corpus Christi 13. Crimond 14. Cross of JeSus 15. Darwalls 148th 16. Day of Rest 17. Dennis 18. Diadem 19. Diademata 20. Divine Mysteries 21. Dix 22. Dominus Regit Me 23. Duke Street 24. Dundee (French) 25. Easter Hymn 26. Ein Feste Burg 27. Ellacombe 28. Ellers 29. Eventide 30. Franconia 31. Geibel 32. Gerontius 33. Gopsal 34. Hanover 35. Hollingside 36. Horsley 37. Hursley 38. Hyfrydol 39. Innocents 40. Kocher 41. Laudate Dominum 42. Laudes Domini 43. Lloyd 44. Lobe den Herren 45. Love Divine 46. Lux Benigna 47. Maidstone 48. Mannheim 49. Martyrdom 50. Maryton 51. Melcombe 52. Melita 53. Miles Lane 54. Misericordia 55. Missionary 56. Monkland, 57. Monks Gate 58. Morning Hymn 59. Morning Light 60. Moscow 61. National Anthem 62. Nearer, My God, To Thee 63. Nicæa, 64. Nottingham (Mozart) 65. Nun Danket 66. Old Hundredth 67. Passion Chorale 68. Penlan 69. Pentecost 70. Pilgrims 71. Praise my Soul 72. Redhead 73. Regent Square 74. Richmond 75. Rimmington 76. Rockingham 77. St. Agnes 78. St. Albinus 79. St. Ann 80. St. Bees 81. St. Cecilia 82. St. Clement 83. St. Columba 84. St. Cuthbert 85. St. Denio 86. St. Ethelwald 87. St. Francis 88. St. George 89. St. Gertrude 90. St. Magnus 91. St. Michael 92. St. Oswald 93. St. Peter 94. St. Theodulph 95. St. Theresa 96. Samuel 97. Sandon 98. Sawston 99. Sine Nomine 100. Stella 101. Stracathro 102. Stuttgart 103. Tallis Canon 104. Turris Davidica 105. Victory 106. Vox Dilecti 107. Wareham 108. Warrington 109. Westminster 110. When He Cometh 111. Whitburn 112. Wiltshire 113. Wir pflügen (Dresden) 114. O Come All Ye Faithful 115. Away in a Manger 116. Hark! The Herald Angels Sing 117. Once in Royal Davids City 118. Nowell 119. Silent Night 120. While Shepherds Watched 121. Angels from the Realms of Glory, 122. As with Gladness 123. Christians Awake 124. The Coventry Carol 125. Ding Dong Merrily on High 126. Deck the Halls 127. God Rest ye Merry Gentlemen 128. Good King Wenceslas 129. Good Christian Men Rejoice 130. The Holly and The Ivy 131. I Saw Three Ships 132. It Came upon the Midnight Clear 133. Jingle Bells, 134. O Little Town of Bethlehem 135. The Rocking Carol 136. See Amid the Winter Snow 137. Unto us a Child is Born 138. Wassail 139. We Three Kings 140. We Wish you a Merry Christmas Index of Hymns Index of Carols Index of first lines of hymns listed with commonly used tunes AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat
ERGOBRASS FOR TRUMPETAfter years of world wide success from our first innovation, the ERGObone for trombone players, the ERGObrass Ltd now proudly brings to the markets our innovation for every trumpetist and cornetist, the ERGObrass trumpet support. It is a new auxiliary device for all trumpet players which gives the player a more comfortable, effective and healthy way of playing the trumpet.The general idea of ERGObrass supports is based on a simple fact that all brass instruments are heavy to hold. We all know that relaxation is very important in brass playing. However, holding the instrument in playing position inevitably produces a static tenson in hands, arms, shoulders, upper body and throat.Most players can play with this tension, of course - but the tension is always there disturbing the performance.By using an ERGObrass support every brass player can stay totally relaxed while playing. And in addition to the better efficency, it is also very comfortable!DescriptionThis full set includes an attaching fastener with the eye bolt for the Quick Attaching Fastener to be placed onto the horn, a support rod with the Quick Attaching Fastener, a spring mechanism with disc lock, 38 cm support tube, rubber plug and screws and the belt pocket. It enables you to use the ERGObrass support device while sitting on a chair or while standing or walking.Check the video (YouTube) how to install and use the new ERGObrass trumpet support fastener.Related products:Additional fastener counterpart for trumpet, 3 piecesTelescopic-Extension-SetAdditional fastener counterpart for trumpetAdditional plate for Rotary Valve trumpet
Hvordan Spille Moderne Trommesett, Ernst Wiggo Sandbakk, m/CDErnst Wiggo Sandbakk:Fra bokas forord:Etter å ha undervist trommeslagere i flere år, og underveis gransket markedet for aktuelt undervisningsmateriale, har jeg funnet at behovet for et norsk undervisningsopplegg for trommesett er stort. Dette har iverksatt meg med utarbeidelse av det materiale som nå foreligger.Hvordan spille moderne trommesett er et undervisnings- opplegg som kan sammenfattes under følgende punkter:· egner seg for nybegynnere.· vil fylle tomrom hos den viderekomne· egner seg til selvstudium· kan brukes til undervisning. Den er lagt opp slik at den også kan følge Kjell Samkopf's utmerkede "Praktisk Trommeskole del 1A, 1B, og del 2".· er et komplett opplegg for utvikling av koordinasjon mellom armer og bein.· har naturlig progresjon. Starter med enkle rocke-takter som steg for steg utvikler uavhengighet og ferdigheter i notelesning.· er en guide i dagens mest benyttede stilretninger. Presenterer de fleste typer rock, disco, shuffle, rocke-swing, jazz-swing, bossa-nova, samba, reggae, new-wave, punk, vispeteknikk, solo-øvelser samt en del tekniske øvelser.Hvordan spille moderne trommesett er en grundig innføring i trommesettspill, hvor den grunnleggende ide har vært å presentere anvendbare og praktiske ting. Det meste av innholdet i denne boka vil før eller senere komme til nytte hos en ivrig trommeslager.
Mute Baritone Practice Denis Wick 5536 AluminiumDescription:Denis Wick practice mutes are perhaps the best teaching aid ever invented. Not only do they fulfil the need for the IN TUNE painless practice, so essential in the development of every young player and an indispensible 'hotel mute' for the professional, but they also possible an enormous improvement in tone quality using the entire vital capacity as a vibrating air column by opening the throat spaces through playing loudly in the low register.