Paukepad Adams 4PPTAW, Original Timpani Practice Pad

IN ECCLESIIS, GIOVANNI GABRIELI DescriptionOne of Gabrieli's most famous motets, this is a work of remarkable proportions and sonority. The piece is for soloists, choir, instruments and organ continuo. This vocal score, edited by Denis Stevens, contains all voice parts,with oboe, trumpet, trombone and organ parts.SpecificationsComposer Giovanni GabrieliMR-Product Format Vocal ScoreInstrument Group Mixed ChoirInstrumentation SATB and OrganProduct Type Book [Softcover]Publisher Novello and CoGenre Description SacredStyle/Period Description RenaissanceYear of Publication 2004No. Pages 28ISBN 9780853604112Edition Number NOV030757No. MUSNOV030757

GLORIA RV 589 - ANTONIO VIVALDI.Edition by Paul EverettDESCRIPTIONfor soloists, SATB chorus, baroque orchestra (oboe, trumpet, bassoon, keyboard and strings) or keyboard Both full and vocal scores make a clear distinction between original and editorial markings. They are supplemented by a full critical apparatus and continuo realization, and information on performance practice is relevant without being prescriptive. This edition is also unique in including a transcription of the 'Cum sancto spirito' from Ruggieri's Gloria which formed the basis of Vivaldi's own setting. All material is also available on hire.SPECIFICATIONSComposer Antonio VivaldiMR-Product Format Vocal ScoreInstrument Group Mixed ChoirInstrumentation Mixed ChoirProduct Type Choral ScoreSeries Classic Choral WorksPublisher Oxford University PressGenreView Description SacredStylePeriodView Description BaroqueYear of Publication 1996No. Pages 52ISBN 9780193384545Edition Number 9780193384545 

Joseph HaydnMissa CellensisHob. XXII:8, 1782Scoring: Soli SATB, Coro SATB, 2 Ob, Fg, 2 Tr, Timp, 2 Vl, Va, Vc/Cb, OrgLanguage: LatinDuration: 34 minDegree of difficulty: 3Key: C-DurDescription'Haydn gelingt es in der Mariazeller-Messe überzeugend, eine spezifische Synthese herzustellen zwischen den hohen Ansprüchen ,autonomer' Kunstmusik einerseits, die in entsprechenden Kompositionstechniken (kontrapunktische Polyphonie, Sonatensatzprinzip z.B. im Vivace des Kyrie) ihren Niederschlag finden, und der ästhetischen Forderung der Zeit nach ,Verständlichkeit' andererseits' (aus dem Vorwort der Herausgeber Andreas Ballstaedt und Volker Kalisch).AVAILABLE ITEMS:full score 40.606/0088 pages, 25 x 32 cm, paperbackvocal score 40.606/0356 pages, DIN A4, paperbackchoral score 40.606/0524 pages, DIN A4, without coverAvailable from 20 copiesstudy score 40.606/0788 pages, DIN A4, paperbackset of parts, complete orchestral parts 40.606/1923 x 32 cm, without coverCONSISTING OF1 x set of parts, harmony parts, 1 x bassoon, 1 x oboe 1, 1 x oboe 2, 1 x timpani, 1 x trumpet 1, 1 x trumpet 2 (40.606/09) 6 x individual part, violin 1 (40.606/11)5 x individual part, violin 2 (40.606/12)4 x individual part, viola (40.606/13)3 x individual part, violoncello (40.606/14)2 x individual part, double bass (40.606/15)1 x individual part, organ (40.606/49)individual part, organ 40.606/4924 pages, 23 x 32 cm, without coverEditor: Andreas Ballstaedt / Volker Kalisch Composer: Joseph Haydn

DESCRIPTIONfor soprano soloist, mixed choir, and orchestra or ensemble (with organ) This is one of the best-loved and most widely performed choral works of the twentieth century. The texts (in Latin and English) are from the Missa pro Defunctis, the Book of Common Prayer, and the Psalms. The seven sections form an arch-like meditation on the themes of life and death: prayers on behalf of all humanity, psalms, personal prayers to Christ, and in the central Sanctus an affirmation of divine glory. The full scores have been edited and engraved by the composer himself and are presented in handsome, cloth-bound editions. Vocal and orchestral material is available on hire.SPECIFICATIONSComposer John RutterMR-Product Format Vocal ScoreInstrument Group Mixed ChoirInstrumentation Mixed Choir and EnsembleProduct Type Vocal ScorePublisher Oxford University PressNo. Pages 64ISBN 9780193380707Edition Number 9780193380707No. OUP9780193380707

Bach, Johann SebastianSt. John Passion BWV 245- The tried-and-tested content of the complete edition now in a soft-cover score- Extensive Foreword in German and now also in EnglishDetailed product informationEdition no.BA: 05037-90ISMN: 9790006462230Volume/Series: BÄRENREITER URTEXTEditor: Mendel, ArthurLanguage(s) of work: GermanLanguage(s) of text: English, GermanProduct format:  Vocal Score, Urtext editionInstrumentation: Soprano solo, Alto solo, Tenor solo (2), Bass solo (2), Mixed choir (SATB), OrchestraBinding: PaperbackPages/Format: VIII, 265 S. - 31,0 x 24,3 cmDescription BA 5037-90 replaces the previous vocal score. The article number remains unchangedThe text appears in slightly larger type size and a clearly legible fontThe pagination has been adopted from the previous edition. This means that you can rehearse and perform this work with some singers using this new edition and some the old Bärenreiter editionThis vocal score is fully compatible with all existing performance material (BA 5037)The new vocal score includes a revised piano reduction. It is based on the reliable Walter Heinz Bernstein piano reduction but has been revised and re-engraved, making it far easier to read and playA more exact spacing of underlaid words has been included in the vocal partsContent· Parte Prima· Chorus: Herr, unser Herrscher / Lord, Thou our Master· Evangelista, Jesus: Jesus ging mit seinen Jüngern / Jesus went with His disciples· Chorus: Jesum von Nazareth / Jesus of Nazareth· Evangelista, Jesus: Jesus spricht zu ihnen / Jesus saith unto them· Chorus: Jesum von Nazareth / Jesus of Nazareth· Choral: O große Lieb / O wondrous love· Choral: Dein Will gescheh, Herr Gott, zugleich / Thy will must all creation do· Wer hat dich so geschlagen / Who was it, Lord, did smite Thee· Evangelista: Und Hannas sandte ihn gebunden / Now Annas had had Jesus bound· Chorus: Bist du nicht seiner Jünger einer / Art Thou not one of His disciples· Choral: Petrus, der nicht denkt zurück / Peter, while his conscience slept· Parte Seconda· Choral: Christus, der uns selig macht / Christ, who knew no sin or wrong· Evangelista, Pilatus: Da führeten sie Jesum / Then led away they Jesus· Chorus: Wäre dieser nicht ein Übeltäter / If this man were not a malefactor· Evangelista, Pilatus: Da sprach Pilatus zu ihnen / Then Pilate said unto them (Tenore,· Chorus: Wir dürfen niemand töten / By death we may not punish· Choral: Ach großer König / Ah, mighty King· Evangelista, Pilatus, Jesus: Da sprach Pilatus zu ihm / Then Pilate said unto Him· Chorus: Nicht diesen, sondern Barrabam / Not this man, give us Barrabas· Evangelista: Und die Kriegsknechte flochten eine Krone / The soldiers platted then for Him a crown· Chorus: Sei gegrüßet, lieber Jüdenkönig / King we hail Thee, King of Jews· Evangelista, Pilatus: Und gaben ihm Backenstreiche / And then with their hands they smote Him· Chorus: Kreuzige, kreuzige / Crucify, crucify· Evangelista, Pilatus: Pilatus sprach zu ihnen / Then unto them saith Pilate· Chorus: Wir haben ein Gesetz / We have with us a law· Choral: Durch dein Gefängnis, Gottes Sohn / Our freedom, Son of God· Evangelista: Die Jüden aber schrieen und sprachen / But the Jews cried out and shouted· Chorus: Lässest du diesen los / If thou let this man go· Evangelista, Pilatus: Da Pilatus das Wort hörete / Then when Pilate heard them speaking thus· Chorus: Weg, weg mit dem / Away with Him· Evangelista, Pilatus: Spricht Pilatus zu ihnen / Pilate saith unto them· Chorus: Wir haben keinen König / We have no King but Caesar· Aria: Eilt, ihr angefochtnen Seelen / Come ye souls whom care oppresses (Basso)· Evangelista: Allda kreuzigten sie ihn / And there crucified they Him (Tenore)· Chorus: Schreibe nicht: der Jüden König / Write Him not as our King· In meines Herzens Grunde / Within my hearts recesses· Evangelista: Die Kriegsknechte aber / And then did the soldiers· Chorus: Lasset uns den nicht zerteilen / Let us rend not nor divide· Choral: Er nahm alles wohl in acht / In His final hour did He think· Aria: Mein teurer Heiland, lass dich fragen / O Thou my Saviour give me answer· Choral: O hilf, Christe, Gottes Sohn / Help, O Christ, Thou Son of God· Chorus: Ruht wohl, ihr heiligen Gebeine / Rest well, beloved, sweetly sleeping· Choral: Ach Herr, lass dein lieb Engelein / Ah Lord, when comes that final day· Anhang / Appendix· Choral: O Mensch, bewein dein Sünde groß / O man, thy grievous sins bemoan· Choral: Christe, du Lamm Gottes / Lamb of God, Lord Jesus Orchestral material and related productsBach, Johann Sebastian / St. John Passion BWV 245 /BÄRENREITER URTEXTTP00197 Study score, Urtext editionBA05037-90 Vocal Score, Urtext editionBA05037-91 Choral score, Urtext edition - Minimum qty.: 10BA05037-01 Complete edition, Score, Urtext edition, New Bach Edition (NBA) II/4BA05037-41 Complete edition, Critical commentary, New Bach Edition (NBA) II/4BA05037-74 1. Violin Part BA05037-75 2. Violin PartBA05037-79 Viola PartBA05037-65 Wind setBA05037-67 Organ PartBA05037-86 Basso continuo, Violoncello, Double bass, Bassoon PartBA05037-96 Soprano (Choral voice) Part, Minimum qty.: 10BA05037-97 Alto (Choral voice) Part, Minimum qty.: 10BA05037-98 Tenor (Choral voice) Part, Minimum qty.: 10BA05037-99 Bass (Choral voice) Part, Minimum qty.: 10

St Luke PassionThe Passion of Our Lord Jesus Christ according to LukeChoral part - Christus score (children's choir) - mixed choir (SATB), children's choir, organ and chamber orchestra - EnglishComposer: MacMillan, JamesPublisher: Boosey & Hawkes, LondonPages: 64No.: BH 12979Scored for chorus, childrens choir, organ and chamber orchestra, St Luke Passion adopts a pared-back focus on choral voices over its 75-minute span. Seeking a more spiritual, inward approach to match Lukes text, the composer eschews settings of interpolated texts as arias and the customary Evangelist and Christ soli: everything is sung by choral forces. A childrens choir grants a measure of innocence to Christ as the sacrificial lamb, emphasising aspects of otherness, sanctity and mystery. The Passion narrative is framed by a Prelude exploring the Annunciation and a Postlude taking us beyond the Crucifixion to the Resurrection and Ascension. These incorporate Gospel texts where Luke explains the Kingdom of God.ContentPrelude (tacet)Chapter 22Chapter 23Postlude

Fun, user-friendly book for beginners. Full of varied pieces including rounds and duets. Ideally suited to those who have completed Vamoosh Violin Book 1. Compatible with Viola, Cello and Double Bass Book 1.5. Some pieces are also compatible with Vamoosh Recorder books.ContentsAcross the Irish ShoreBalladBlue BlazesCool DriftDog and DuckEasy StreetsFrom the New WorldHarry HotspurJitterbugMoonshineOh When the Saints!On the RailroadOverturePineapples are JuicyReelRumpusScaling up C MajorScaling up D MajorSinfoniaSlurs and TiesSpaghetti JunctionThe Old ChuckwagonThe Road Less TraveledThree Blind MiceViolin ConcertoWe're Not Sitting Still!

Fra forordet:Pianosprell 1 er en bok for nybegynnere på piano eller keyboard - for enetimer eller undervisning i gruppe.Til hver bok følger det med en CD der alle sangene er innspilt. melodien er lagt til høyre kanal på CDen, og ved å lytte bare på venstre kanal kan du høre og spille sammen med bare kompet. På CDen finnes det også mp3-filer med sangene både i øvetempo og en versjon med bare komp. Disse mp3-filene kan spilles på en PC, en mp3-spiller eller en CD-spiller som har muligheter til å lese mp3-filer. Benytt gjerne CDen både under timene og når du øver hjemme.Venstrehåndsspillet er i utgangspunktet skrevet ganske enkelt. Tanken er at dere som bruker materialet selv skal kunne gjøre variasjoner gjennom for eksempel å utvikle rytmer, bassganger, enkle basskomp eller besifringsspill (akkordspill).De nyskrevne sangene har ingen tekst, skriv gjerne dine egne!I de fem "stasjonene" finnes oppgaver for å øve og teste teoretiske kunnskaper. Der finnes det også rytmeøvelser slik at du kan jobbe med rytmelesing og forståelse for hvordan rytmenotasjonen er oppbygd i tillegg til gehørsøvelser som du kan gjøre sammen med CDen.Prøv gjerne å utvikle improvisjonssangene med flere eller færre toner, "spørsmål/svar", egne komposisjoner med mer.På slutten finnes fire sider med ekstra samspillstemmer om du vil ha enda mer variasjon i samspillet.Om du er usikker på hvordan pianoet du har hjemme stemmer, så kontakt en pianostemmer. Fortell pianostemmeren at tonen "a" skal være på 440 hertz for å stemme ordentlig med CDen.Jan UtbultINNHOLD:An die Freude (Månedene)AnanaseneBallade for AndreaBjelleklangBjørnen soverBlåsernes BluesDen trøtte lamaenDet var jo synthDianaDykke fra et skjærEurope is HereFader JakobGladvalsenGospel CloudGå nå påHeart and SoulHeavy MoonHermelinenHerme merHermissenHøyt over skyeneIdas sommerviseInn for landingJeg er trett og går til roJazzteppetKom igjenLille snegleLille kattMiss ChordMove Your HandsNå tennes tusen julelysPlay it Now (imp.)Play More (imp.)Play the Tune (imp.)PortugalPulsen slårSmå rumpetrollSoutheastSpanienThe New Cha-chaThe RockValpen minValseneWest CoastÅrets siste bad Bok 2 og 3 i denne serien finnes kun på svensk under navnet Pianobus

THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth   2. Abridge     3. Angelus     4. Aurelia     5. Austrian Hymn       6. Belmont     7. Blaenwern   8. Carlisle    9. Christ the King       10. Colne      11. Cor Jesu    12. Corpus Christi       13. Crimond    14. Cross of JeSus        15. Darwalls 148th       16. Day of Rest   17. Dennis     18. Diadem     19. Diademata   20. Divine Mysteries      21. Dix       22. Dominus Regit Me     23. Duke Street   24. Dundee (French)      25. Easter Hymn        26. Ein Feste Burg       27. Ellacombe   28. Ellers       29. Eventide     30. Franconia     31. Geibel      32. Gerontius     33. Gopsal      34. Hanover     35. Hollingside   36. Horsley     37. Hursley     38. Hyfrydol     39. Innocents     40. Kocher      41. Laudate Dominum     42. Laudes Domini       43. Lloyd       44. Lobe den Herren       45. Love Divine   46. Lux Benigna   47. Maidstone    48. Mannheim    49. Martyrdom   50. Maryton     51. Melcombe    52. Melita      53. Miles Lane     54. Misericordia   55. Missionary    56. Monkland,    57. Monks Gate   58. Morning Hymn       59. Morning Light        60. Moscow     61. National Anthem       62. Nearer, My God, To Thee  63. Nicæa,      64. Nottingham (Mozart)    65. Nun Danket   66. Old Hundredth       67. Passion Chorale       68. Penlan      69. Pentecost      70. Pilgrims      71. Praise my Soul         72. Redhead      73. Regent Square         74. Richmond     75. Rimmington    76. Rockingham    77. St. Agnes      78. St. Albinus     79. St. Ann      80. St. Bees      81. St. Cecilia     82. St. Clement    83. St. Columba    84. St. Cuthbert    85. St. Denio     86. St. Ethelwald         87. St. Francis    88. St. George    89. St. Gertrude    90. St. Magnus    91. St. Michael    92. St. Oswald    93. St. Peter      94. St. Theodulph        95. St. Theresa    96. Samuel      97. Sandon      98. Sawston      99. Sine Nomine         100. Stella       101. Stracathro     102. Stuttgart      103. Tallis Canon         104. Turris Davidica        105. Victory      106. Vox Dilecti    107. Wareham     108. Warrington    109. Westminster    110. When He Cometh      111. Whitburn     112. Wiltshire     113. Wir pflügen (Dresden)    114. O Come All Ye Faithful    115. Away in a Manger      116. Hark! The Herald Angels Sing         117. Once in Royal Davids City  118. Nowell      119. Silent Night    120. While Shepherds Watched    121. Angels from the Realms of Glory,    122. As with Gladness       123. Christians Awake       124. The Coventry Carol      125. Ding Dong Merrily on High      126. Deck the Halls        127. God Rest ye Merry Gentlemen         128. Good King Wenceslas    129. Good Christian Men Rejoice     130. The Holly and The Ivy    131. I Saw Three Ships       132. It Came upon the Midnight Clear      133. Jingle Bells,    134. O Little Town of Bethlehem         135. The Rocking Carol      136. See Amid the Winter Snow      137. Unto us a Child is Born    138. Wassail      139. We Three Kings        140. We Wish you a Merry Christmas    Index of Hymns  Index of Carols  Index of first lines of hymns listed with commonly used tunes  AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat 

Trommestikker Vic Firth American Custom SD10 Swinger Maple, Wood Tip

Digitalsett Roland TD-07KV, Komplett m/Padder, Modul og RackstativKick: KD-10Snare: PDX-8Hi-hat: CY-5Hi-hat control pedal: Detactable for half-open strokeTom: PDX-6A x 3 *2Crash: CY-8Ride: CY-850 Kits-25 Presets* Stortrommepedal kommer i tillegg.

Fra James Bastien og Jane Smisor Bastien, to av de meste betydningsfulle navn i pianopedagogikk i verden i dag....... Nye bøker på norsk.* Klar konsis lett å følge* Illustrasjonene er fargerike, morsomme, vakre....glimrende for motivasjonen.* Lakkerte omslag gjør at de holder lenger.* Praktiske lærertips hjelper eleven å utvikle gode øvevaner.* Side for side oversikt i alle bøker sparer tid til forberedelse og hjelper til med å repetere og oppfriske viktige konsepter.Helt ny musikk:* Helt nye Bastien originale og kreative arrangementer* Stimulerende blanding av pop, folkemusikk, klassisk og moderne musikkstiler.* Venstrehånds utfordringer og variasjon.* Lærer duetter (Begynnerdel og del 1).Gjennomprøvet pedgogikk - Kvalitet du kan stole på!* Stol på Bastien-navnet. Tillit, suksessfull, aktiv - Jane Bastien underviser fortsatt 5 dager i uka. Bastien er eksperter på hva som fungerer på unge pianoelever.* Logiske avsnitt - Vel-organisert , vel gjennomtenkt. Hvert element utvikles logisk til det neste, i et tempo eleven kan mestre komfortabelt og trygt.* Klar presentasjon følger 3 grunnleggende prinsipper om god læring: 1. Det er lett å forstå introduksjonene til et nytt konsept, 2. umiddelbar trening, 3. konstant repetisjon.* Systematisk oversikter * Gradvis toneartutvidelse.... Tar eleven gjennom alle 12 tonearter gjennom slutten av bok 4.* Utvikler sterk notelesing.* Lærer de viktige grunnprinsippene...rytmikk, intervaller, akkorder, skalaer og de viktigste symboler og musikktermer.* Lærer elevene hvordan å undervise seg selv. Elevene lærer hvordan de skal analysere. De lærer ikke bare notene og fakta, men selve læringsprosessen så de kan fortsett å utvikle sin musikalske evner gjennom livet.