Philip Glass - The Complete Piano Etudes

The Jazz Piano - Mark LevinThe most highly acclaimed jazz piano method ever published!Over 300 pages with complete chapters on Intervals and triads.The major modes and II-V-I, 3-note voicings, Sus. and phrygian Chords.Adding notes to 3-note voicings, Tritone substitution, Left-hand voicings.Altering notes in left-hand Stride and Bud Powell voicings.Block chords, Comping ...and much more!Endorsements This is one of the finest new jazz instruction books on the market. Written by an experienced, professional jazz player, the book is practical and unpretentious, with lots of valuable information for the beginning, intermediate or advanced improviser. The informality of his style cannot hide Mark's seriousness, attention to detail and true love of jazz piano. Richie Beirach [...] I'm really happy to see so many folks (rightly) acknowledging your books and music [...]. As it should be. The information is all there ~ a gift! Joe Locke I really like this book because it covers all the bases. An invaluable resource for any keyboard player. Jamey Aebersold One of the most complete anthologies on jazz piano in recent years. The research and attention to detail, the nuances and musical examples in each chapter are most refreshing, as are the photos. Stylistically covering artists from Teddy Wilson through Mulgrew Miller, in a way that has rarely been dealt with in other jazz piano literature. James Williams This is a great book! Eddie Palmieri This book comes closer than any other book I have yet come across to giving the student an insight into the art, and needs, of playing modern jazz piano. With the comprehensive exploration of all the basic techniques in common use that this book offers, along with the inclusion of chapters on such important and often overlooked areas as comping and Latin Jazz, I think this book deserves a place on every modern jazz teacher's bookshelf. Mike Nock A brilliant, comprehensive, exciting and highly readable book. It unlocks door after door of contemporary piano jazz sounds. Down Beat For anyone who is interested in acquiring the basics of contemporary jazz piano playing, this book is a must! Hal Galper The Jazz Piano Book is a comprehensive text (with) in-depth explanations supported by many superb musical examples in every chapter. A comprehensive text (with) smooth progress from easy material to more advanced techniques. Jazz Educators Journal An incredibly thorough and yet personal look at the vast subject of jazz piano. The scholarly historical perspective combines with excellent practical examples of different styles and approaches to the keyboard. Applause for one of the truly fine pianists of our time for putting his vast expertise, experience and musicality into book form. Art Lande Your book sets into motion the thought process for someone who actually has to sit down and improvise music. Years back in a conversation I had with the late Kenny Kirkland about your Jazz Piano Book, he very much agreed with this point. Thank you for your wonderful contribution to understanding the grammar of our musical language. Serge Kasimoff

Repertoire Book 3 provides engaging music for students at the late elementary/early intermediate level.Selections range from classical works to newly composed pieces in a variety of styles.DESCRIPTIONIn Repertoire Book 3, students will:Play repertoire in the keys of C Major, A Minor, G Major, E Minor, F Major, and D MinorTranspose carefully selected pieces to a variety of keysPrepare for learning the music of J. S. Bach by playing pieces that feature increasingly difficult two-voice counterpointLearn music from the Classical and Romantic period repertoire as well as newly composed pieces in a variety of stylesYou will notice that some pieces are more difficult than others. This was strategically planned. The more challenging pieces stretch students to higher levels of achievement, while easier pieces allow students to feel motivated and confident about their progress. Optimal learning occurs when students are provided with pieces at a variety of levels.

Designed to provide a solid foundation for beginners, Repertoire Book 1 contains six key elements that promote the well-rounded development of each student: Rote Pieces, Reading Pieces, Folk Pieces, Technical Exercises, Improvisation, and Theory.DESCRIPTIONNote: a code for the audio tracks may be found in the front cover of the Repertoire Book.Reading PiecesReading Pieces begin with pre-staff notation and transition to a landmark-based intervallic system that is focused on mastering 2nds and 3rds.Rote PiecesComposed with a colorful harmonic pallet, Rote Pieces are pattern-based and use a wide range of the keyboard.Folk SongsStudents enjoy playing familiar tunes. The Folk Songs provide motivation and finger number review.Technical ExercisesThe seven animal-themed exercises teach students the essential gestures necessary for a strong technical foundation.ImprovisationImprovisation Pieces are included throughout the book to enhance creativity and imagination. They also provide reinforcement for musical and technical concepts.Theory PagesTheory Pages provide students with music theory review in a worksheet format.

It's Never Too Late To Play Piano is perfect for those who wished they'd learnt to play the piano when they were younger or those who wish they hadnt given up! At last a truly grown-up approach to learning the piano. Pam Wedgwood, author of many popular piano series, takes you through the rudiments of piano technique and music theory in her own friendly style thats guaranteed to get results. The book is organized into clearly structured progressive units with a fabulous array of music to get you playing straight away, including Pams own jazzy pieces, plenty of well-known classics and a smattering of pop and show tunes.Help and information is included at every step with top playing tips, technical boxes, fact files, general advice noticeboards, crosswords, recommended listening and boxes of fascinating musical history. The accompanying CD is packed with over 90 backing tracks as well as interactive activities to help you practice optional extras such as a teachers accompaniment parts can be found below!This is an extensively revised and updated new edition for a new generation of beginners - proving it really is never too late. ISBN: 0571520707Publisher: Faber MusicArrangement format: Piano SoloInstruments: PianoGenre: EducationalPages: 80Language: English

VOLUME 1: JAZZ PIANO - HOW TO PLAY JAZZ & IMPROVISE (PIANO SOLO) Introducing a new version of Jamey's world famous "Volume 1 - How To Play Jazz And Improvise," completely revised and specifically tailored for you by jazz pianist Luke Gillespie of the prestigious IU school of music. This edition is perfectly aligned with the original classic Sixth Edition that introduced tens of thousands of musicians to essential jazz fundamentals such as scale/chord relationships, note choices, etc. In this special edition, however, the text has been carefully edited and rewritten to speak specifically to pianists. The musical examples have been rewritten, as well, in grand staff format and include suggested left-hand and two had voicing examples to be played with the CD tracks. The play-a-long/demonstration CD includes special stereo separation, allowing the piano to be eliminated so that the student can play along with bassist Rufus Reid and drummer Jonathan Higgins. A second CD includes the same play-a-long tracks as the first CD, but at slower practice tempos. A complete package for the beginning jazz pianist! 106 pages, spiral bound for easy opening.For even deeper study, we highly recommend Piano Voicings From The Vol. 1 Play-a-long to the left under You May Also Like.Includes: Voicings and ConsiderationsSuggested FingeringsScales/ChordsDeveloping CreativityImprov Fundamentals12 Blues ScalesBebop ScalesPentatonic ScalesTime, Touch, and FeelMelodic DevelopmentII/V7sRelated Scales and ModesPractical ExercisesPatterns and LicksDominant 7th Tree of Scale ChoicesNomenclatureChromaticismScale Syllabusand more!

DESCRIPTIONPiano Time 3 builds on the techniques acquired in Piano Time 1 and 2, introducing new keys, semiquavers in various rhythmic patterns, triplets, and a variety of finger-twister exercises. It also practises the Alberti bass, scales with hands together and the melodic minor scale, and shows players how to plan their own concert.SPECIFICATIONSComposer Pauline HallMR-Product Format Instrumental TutorAuthor Pauline HallInstrument Group Piano or KeyboardInstrumentation PianoProduct Type Book [Softcover]Series Piano TimePublisher Oxford University PressNo. Pages 48ISBN 9780193727885Edition Number 9780193727885 

DescriptionPractice makes Perfect takes you through all the various aspects of playing your instrument, clearly, helpfully, and progressively. It's full of useful advice, tunes, exercises, practice tips, studies, listening games, and projects about your instrument, designed to show that technique is neither difficult nor boring - but can be fun!Pauline Hall and Paul HarrisPaul Harris has established an international reputation as one of Britain's leading educationalists. He studied clarinet and conducting at the Royal Academy of Music, He then went on to study music education with Professor Keith Swanwick at the University of London. He has well over 200 publications to his name; most are concerned with music education dealing primarily with stimulating and helping young players to develop their musical skills. His compositions also include a number of extended and more serious works. Recently he has made a major contribution to the English National Curriculum. He is an examiner for the Associated Board and adjudicates at music festivals and various national competitions. In addition he has undertaken research into specialist music education for the highly talented - an interest that has taken him to many musical institutions around the world.Pauline Hall graduated from the Royal Academy of Music and then taught in schools and privately. Whilst living and teaching in Harrogate she felt the need for a piano tutor which made learning fun, and which progressed at the pace of her slowest learner. She started by writing little tunes in pupils' notebooks, and these formed the basis of Tunes for Ten Fingers; the Piano Time series developed from this. 

Designed to build on the foundation laid in Level 1, Repertoire Book 2 contains six key elements that promote the well-rounded development of each student. These elements include Reading Pieces, Rote Pieces, Challenge Pieces, Equal Part Duets, Theory, and Improvisation.DESCRIPTIONNote: a code for the audio tracks may be found in the front cover of the Repertoire Book.Reading PiecesReading Pieces begin with a review of intervals (2nds and 3rds) and landmark notes Treble G and Bass C. They progress to starting on notes over the expanse of the staff in a variety of keys. The intervals of a 4th and 5th are introduced.Rote PiecesComposed with a colorful harmonic pallet, Rote Pieces are pattern-based and use a wide range of the keyboard.Challenge PiecesChallenge Pieces are early-level works by composers such as Reinagle and Czerny. They provide an introduction to counterpoint and mixed articulations between the hands.Equal Part DuetsIt is vital that students learn to accompany as well as to play a melodic line. Equal part duets are included to allow students to learn both secondo and primo parts.Theory PagesTheory Pages provide students with music theory review in a worksheet format.ImprovisationImprovisation suggestions are included along with teacher accompaniments.

AT THE PIANO - SCHUMANNDESCRIPTIONSchumann was a poet at the piano, and the best known of his piano pieces bear programmatic titles such as Träumerei (Reverie), Von fremden Ländern und Menschen (Of foreign lands and people) or Vogel als Prophet (The bird as prophet). His whole oeuvre exudes a sense of poetic freedom, making him the Romantic composer par excellence. Whether in his easiest pieces for children from his Album for the Young or in the more demanding Papillons, we can hear Schumanns own distinctive voice everywhere a voice whose many registers can be experienced in this selection, which ranges from the easy to the moderately difficult.SONGLIST1. Album Leaves op. 124 no. 6: Little Lullaby2. Album for the Young op. 68 no. 9: Little Folksong3. Scenes from Childhood op. 15 no. 1: A Tale of Distant Lands4. Scenes from Childhood op. 15 no. 2: Curious Story5. Ziemlich langsam (Albumblatt no. 1 in f sharp minor) from Coloured Leaves op. 99 no. 46. Album for the Young op. 68 no. 25: Echoes of the Theatre7. Scenes from Childhood op. 15 no. 7: Reverie8. Intermezzi op. 4 no. 3 and no. 49. Carnival of Vienna op. 26 no. 2: Romance in g minor10. Romance op. 28 no. 2 in F sharp major from Three Romances op. 2811. Pierrot op. 9 no. 2 from Carnaval op. 912. Valse noble op. 9 no. 4 from Carnaval op. 913. In the Evening op. 12 no. 1 from Fantasy Pieces op. 1214. Why? op. 12 no. 3 from Fantasy Pieces op. 1215. Bird as Prophet op. 82 no. 7 from Forest Scenes op. 8216. Arabesque in C major op. 1817. Papillons op. 2 no. 5, no. 6 and no. 12SPECIFICATIONSSubtitle 17 well-known original pieces in progressive order of difficulty with practical commentsComposer Robert SchumannInstrumentation PianoGrade of Difficulty 3-6-2021 00:00:00Product Type Book [Softcover]Year of Publication 2017Instrument Group Piano or KeyboardGrade of Difficulty 3-6-2021 00:00:00Publisher G. Henle VerlagStylePeriodView Description RomanticYear of Publication 2017ISMN 9790201818184No. Pages 60Series At The PianoEditor Sylvia Hewig-TröscherNo. HN1818  

Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.

Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 50cm

THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth   2. Abridge     3. Angelus     4. Aurelia     5. Austrian Hymn       6. Belmont     7. Blaenwern   8. Carlisle    9. Christ the King       10. Colne      11. Cor Jesu    12. Corpus Christi       13. Crimond    14. Cross of JeSus        15. Darwalls 148th       16. Day of Rest   17. Dennis     18. Diadem     19. Diademata   20. Divine Mysteries      21. Dix       22. Dominus Regit Me     23. Duke Street   24. Dundee (French)      25. Easter Hymn        26. Ein Feste Burg       27. Ellacombe   28. Ellers       29. Eventide     30. Franconia     31. Geibel      32. Gerontius     33. Gopsal      34. Hanover     35. Hollingside   36. Horsley     37. Hursley     38. Hyfrydol     39. Innocents     40. Kocher      41. Laudate Dominum     42. Laudes Domini       43. Lloyd       44. Lobe den Herren       45. Love Divine   46. Lux Benigna   47. Maidstone    48. Mannheim    49. Martyrdom   50. Maryton     51. Melcombe    52. Melita      53. Miles Lane     54. Misericordia   55. Missionary    56. Monkland,    57. Monks Gate   58. Morning Hymn       59. Morning Light        60. Moscow     61. National Anthem       62. Nearer, My God, To Thee  63. Nicæa,      64. Nottingham (Mozart)    65. Nun Danket   66. Old Hundredth       67. Passion Chorale       68. Penlan      69. Pentecost      70. Pilgrims      71. Praise my Soul         72. Redhead      73. Regent Square         74. Richmond     75. Rimmington    76. Rockingham    77. St. Agnes      78. St. Albinus     79. St. Ann      80. St. Bees      81. St. Cecilia     82. St. Clement    83. St. Columba    84. St. Cuthbert    85. St. Denio     86. St. Ethelwald         87. St. Francis    88. St. George    89. St. Gertrude    90. St. Magnus    91. St. Michael    92. St. Oswald    93. St. Peter      94. St. Theodulph        95. St. Theresa    96. Samuel      97. Sandon      98. Sawston      99. Sine Nomine         100. Stella       101. Stracathro     102. Stuttgart      103. Tallis Canon         104. Turris Davidica        105. Victory      106. Vox Dilecti    107. Wareham     108. Warrington    109. Westminster    110. When He Cometh      111. Whitburn     112. Wiltshire     113. Wir pflügen (Dresden)    114. O Come All Ye Faithful    115. Away in a Manger      116. Hark! The Herald Angels Sing         117. Once in Royal Davids City  118. Nowell      119. Silent Night    120. While Shepherds Watched    121. Angels from the Realms of Glory,    122. As with Gladness       123. Christians Awake       124. The Coventry Carol      125. Ding Dong Merrily on High      126. Deck the Halls        127. God Rest ye Merry Gentlemen         128. Good King Wenceslas    129. Good Christian Men Rejoice     130. The Holly and The Ivy    131. I Saw Three Ships       132. It Came upon the Midnight Clear      133. Jingle Bells,    134. O Little Town of Bethlehem         135. The Rocking Carol      136. See Amid the Winter Snow      137. Unto us a Child is Born    138. Wassail      139. We Three Kings        140. We Wish you a Merry Christmas    Index of Hymns  Index of Carols  Index of first lines of hymns listed with commonly used tunes  AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat 

UpMute DescriptionThe UPMUTE practice mute gives a feeling of freedom and total control of the whole register and the intonation, from the lowest pedal tones until the highest register.Following the UPSOUND philosophy, UPMUTE is not just a practice mute; it improves the development of your sound quality and richness. Thanks to its perfect amount of resistance, it offers a great focus and centre in the sound, stabilizing day to day a great deal of frequencies and creating homogeneity in the associated harmonics.It gathers the five essential requirements:INTONATIONMINIMUM RESISTANCE TO THE AIR FLOWSOUND QUALITYVERY SOFT, IT DOES NOT DISTURBLIGHTWEIGHT AND EASILY TO CARRY AROUND in most bagsJust perfect!IMPORTANT: To put in or take out your mute, just pressure it against de bell or pull it out WITHOUT turning it, since it could cause premature wear of the rubber joinAvailable for trumpet, Spanish cornet, French horn, tenor trombone and bass trombone 

Hvordan Spille Moderne Trommesett, Ernst Wiggo Sandbakk, m/CDErnst Wiggo Sandbakk:Fra bokas forord:Etter å ha undervist trommeslagere i flere år, og underveis gransket markedet for aktuelt undervisningsmateriale, har jeg funnet at behovet for et norsk undervisningsopplegg for trommesett er stort. Dette har iverksatt meg med utarbeidelse av det materiale som nå foreligger.Hvordan spille moderne trommesett er et undervisnings- opplegg som kan sammenfattes under følgende punkter:· egner seg for nybegynnere.· vil fylle tomrom hos den viderekomne· egner seg til selvstudium· kan brukes til undervisning. Den er lagt opp slik at den også kan følge Kjell Samkopf's utmerkede "Praktisk Trommeskole del 1A, 1B, og del 2".· er et komplett opplegg for utvikling av koordinasjon mellom armer og bein.· har naturlig progresjon. Starter med enkle rocke-takter som steg for steg utvikler uavhengighet og ferdigheter i notelesning.· er en guide i dagens mest benyttede stilretninger. Presenterer de fleste typer rock, disco, shuffle, rocke-swing, jazz-swing, bossa-nova, samba, reggae, new-wave, punk, vispeteknikk, solo-øvelser samt en del tekniske øvelser.Hvordan spille moderne trommesett er en grundig innføring i trommesettspill, hvor den grunnleggende ide har vært å presentere anvendbare og praktiske ting. Det meste av innholdet i denne boka vil før eller senere komme til nytte hos en ivrig trommeslager.  

ERGOBRASS FOR TRUMPETAfter years of world wide success from our first innovation, the ERGObone for trombone players, the ERGObrass Ltd now proudly brings to the markets our innovation for every trumpetist and cornetist, the ERGObrass trumpet support. It is a new auxiliary device for all trumpet players which gives the player a more comfortable, effective and healthy way of playing the trumpet.The general idea of ERGObrass supports is based on a simple fact that all brass instruments are heavy to hold. We all know that relaxation is very important in brass playing. However, holding the instrument in playing position inevitably produces a static tenson in hands, arms, shoulders, upper body and throat.Most players can play with this tension, of course - but the tension is always there disturbing the performance.By using an ERGObrass support every brass player can stay totally relaxed while playing. And in addition to the better efficency, it is also very comfortable!DescriptionThis full set includes an attaching fastener with the eye bolt for the Quick Attaching Fastener to be placed onto the horn, a support rod with the Quick Attaching Fastener, a spring mechanism with disc lock, 38 cm support tube, rubber plug and screws and the belt pocket. It enables you to use the ERGObrass support device while sitting on a chair or while standing or walking.Check the video (YouTube) how to install and use the new ERGObrass trumpet support fastener.Related products:Additional fastener counterpart for trumpet, 3 piecesTelescopic-Extension-SetAdditional fastener counterpart for trumpetAdditional plate for Rotary Valve trumpet 

Mute Baritone Practice Denis Wick 5536 AluminiumDescription:Denis Wick practice mutes are perhaps the best teaching aid ever invented. Not only do they fulfil the need for the IN TUNE painless practice, so essential in the development of every young player and an indispensible 'hotel mute' for the professional, but they also possible an enormous improvement in tone quality using the entire vital capacity as a vibrating air column by opening the throat spaces through playing loudly in the low register.