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Quintet No. 3 Opus 7, Score and Parts. Ewald/Tarr

Quintet No. 3 Opus 7, Score and Parts. Ewald/Tarr
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Instrumentation: 2 Cornets, E flat Alto Horn, B flat Tenor Horn, Tuba
Difficulty (I-VI): V    
Parts for: 
     Parts I + II: Cornet (Trumpet) in B flat
     Part III: Alto Horn in E flat; Horn in F
     Part IV: Tenor Horn in B flat; Trombone
     Part V: Tuba      
Series: Edward Tarr Brass      
Editor: Edward H. Tarr     
Victor Ewald was born in St. Petersburg on November 27, 1860, and died there (the city now being called Leningrad) on April 16, 1935. He was an engineer by profession; from 1895 to 1915 he was professor at the Institute of Civil Engineering, continuing the practice of his profession after the 1917 revolution as well. He was also interested in Russian folk music, taking part on expeditions to northern Russia to gather folk songs. He was, in addition, a wellknown violoncellist in the salons of the St. Petersburg nobility, notably in the circle of Mitrofan Petrovich Belaiev (1836 - 1904).  Belaiev will go down in history as a music publisher for his support of a host of Russian composers, among them not only great ones such as Balakirev, Borodin, Cui, Glazunov, Mussorgsky, Rimsky-Korsakov, Tchaikovsky, and Nicholas Tcherepnin, but also others such as Ewald. Belaiev also subsidised a series of 14 annual concerts of Russian music in St. Petersburg.
More important for Victor Ewald were the Friday evening string quartet sessions held in Belaiev's house, the publisher himself playing the viola, Ewald the cello. Its allencompassing repertoire included all the quartets of Haydn, Mozart, and Beethoven, as well as newer works. The sessions started before dinner and always continued until well into the night, never ending before 3 in the morning. According to the testimony of Rimsky-Korsakov, himself a frequent visitor, the Friday evening sessions had started some time before 1883, with the number of visitors increasing during the winter of 1883-1884. Among these were Borodin, Glazunov, Sokolov, and others. Sokolov, a teacher at the St. Petersburg Conservatory, was one of Ewald's composition teachers. In addition, we can infer that Ewald must have received much of his undisputed craftsmanship and sense of form from the training, formal or informal, in the Belaiev circle.
His first known work is a string quartet, Opus 1, which was awarded a third prize in a competition of the St. Petersburg Quartet Society in March, 1893. (The judges were Tchaikovsky, Laroche, and Rimsky-Korsakov, the prize money came from Belaiev.) It was published by Belaiev in 1894. Several other works followed, a Romance, Opus 2, and Deux morceaux, Opus 3, for cello and piano (1894), and a string quintet, Opus 4 (1895). In that year, which was also the year in which he was appointed professor, he apparently ceased composing for a time. Rimsky-Korsakov also reports that by then, the Friday evening quartet sessions had begun to suffer a certain stagnation. In 1899 he did write one piece, the eighth variation (Andante cantabile) of a collective work, Variations sur une theme populaire russe for string quartet, one of the other composers being Scriabin. His next published work, the Brass Quintet No. 1 in B flat Minor, Opus 5, was printed in 1912.1 It was the only one of his three brass quintets to be published during his lifetime. Ewald's Brass Quintets No. 2 in E flat Major, Opus 6, and No. 3 in D flat Major, Op. 7, remained in manuscript and only came to light in the mid-1970s. The original instrumentation of Ewald's three brass quintets is: 2 cornets in B flat, alto horn in E flat, tenor horn in B flat, and tuba. In the present edition, the score is written in concert pitch, and there are several alternatives in the set of parts, to facilitate performance either on the original instruments, the instruments of the modem brass quintet, or whatever.

Instrumentation: 2 Cornets, E flat Alto Horn, B flat Tenor Horn, Tuba
Difficulty (I-VI): V    
Parts for: 
     Parts I + II: Cornet (Trumpet) in B flat
     Part III: Alto Horn in E flat; Horn in F
     Part IV: Tenor Horn in B flat; Trombone
     Part V: Tuba      
Series: Edward Tarr Brass      
Editor: Edward H. Tarr     
Victor Ewald was born in St. Petersburg on November 27, 1860, and died there (the city now being called Leningrad) on April 16, 1935. He was an engineer by profession; from 1895 to 1915 he was professor at the Institute of Civil Engineering, continuing the practice of his profession after the 1917 revolution as well. He was also interested in Russian folk music, taking part on expeditions to northern Russia to gather folk songs. He was, in addition, a wellknown violoncellist in the salons of the St. Petersburg nobility, notably in the circle of Mitrofan Petrovich Belaiev (1836 - 1904).  Belaiev will go down in history as a music publisher for his support of a host of Russian composers, among them not only great ones such as Balakirev, Borodin, Cui, Glazunov, Mussorgsky, Rimsky-Korsakov, Tchaikovsky, and Nicholas Tcherepnin, but also others such as Ewald. Belaiev also subsidised a series of 14 annual concerts of Russian music in St. Petersburg.
More important for Victor Ewald were the Friday evening string quartet sessions held in Belaiev's house, the publisher himself playing the viola, Ewald the cello. Its allencompassing repertoire included all the quartets of Haydn, Mozart, and Beethoven, as well as newer works. The sessions started before dinner and always continued until well into the night, never ending before 3 in the morning. According to the testimony of Rimsky-Korsakov, himself a frequent visitor, the Friday evening sessions had started some time before 1883, with the number of visitors increasing during the winter of 1883-1884. Among these were Borodin, Glazunov, Sokolov, and others. Sokolov, a teacher at the St. Petersburg Conservatory, was one of Ewald's composition teachers. In addition, we can infer that Ewald must have received much of his undisputed craftsmanship and sense of form from the training, formal or informal, in the Belaiev circle.
His first known work is a string quartet, Opus 1, which was awarded a third prize in a competition of the St. Petersburg Quartet Society in March, 1893. (The judges were Tchaikovsky, Laroche, and Rimsky-Korsakov, the prize money came from Belaiev.) It was published by Belaiev in 1894. Several other works followed, a Romance, Opus 2, and Deux morceaux, Opus 3, for cello and piano (1894), and a string quintet, Opus 4 (1895). In that year, which was also the year in which he was appointed professor, he apparently ceased composing for a time. Rimsky-Korsakov also reports that by then, the Friday evening quartet sessions had begun to suffer a certain stagnation. In 1899 he did write one piece, the eighth variation (Andante cantabile) of a collective work, Variations sur une theme populaire russe for string quartet, one of the other composers being Scriabin. His next published work, the Brass Quintet No. 1 in B flat Minor, Opus 5, was printed in 1912.1 It was the only one of his three brass quintets to be published during his lifetime. Ewald's Brass Quintets No. 2 in E flat Major, Opus 6, and No. 3 in D flat Major, Op. 7, remained in manuscript and only came to light in the mid-1970s. The original instrumentation of Ewald's three brass quintets is: 2 cornets in B flat, alto horn in E flat, tenor horn in B flat, and tuba. In the present edition, the score is written in concert pitch, and there are several alternatives in the set of parts, to facilitate performance either on the original instruments, the instruments of the modem brass quintet, or whatever.

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Produktspesifikasjoner
Fabrikat-ForlagMcNaughton Publishing
SerieEdward Tarr Brass
Komponist-ForfatterEwald, Victor
ArrangørTarr, Edward H.
BesetningKvintett
SjangerKlassisk

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Belmont     7. Blaenwern   8. Carlisle    9. Christ the King       10. Colne      11. Cor Jesu    12. Corpus Christi       13. Crimond    14. Cross of JeSus        15. Darwalls 148th       16. Day of Rest   17. Dennis     18. Diadem     19. Diademata   20. Divine Mysteries      21. Dix       22. Dominus Regit Me     23. Duke Street   24. Dundee (French)      25. Easter Hymn        26. Ein Feste Burg       27. Ellacombe   28. Ellers       29. Eventide     30. Franconia     31. Geibel      32. Gerontius     33. Gopsal      34. Hanover     35. Hollingside   36. Horsley     37. Hursley     38. Hyfrydol     39. Innocents     40. Kocher      41. Laudate Dominum     42. Laudes Domini       43. Lloyd       44. Lobe den Herren       45. Love Divine   46. Lux Benigna   47. Maidstone    48. Mannheim    49. Martyrdom   50. Maryton     51. Melcombe    52. Melita      53. Miles Lane     54. Misericordia   55. Missionary    56. Monkland,    57. Monks Gate   58. Morning Hymn       59. Morning Light        60. Moscow     61. National Anthem       62. Nearer, My God, To Thee  63. Nicæa,      64. Nottingham (Mozart)    65. Nun Danket   66. Old Hundredth       67. Passion Chorale       68. Penlan      69. Pentecost      70. Pilgrims      71. Praise my Soul         72. Redhead      73. Regent Square         74. Richmond     75. Rimmington    76. Rockingham    77. St. Agnes      78. St. Albinus     79. St. Ann      80. St. Bees      81. St. Cecilia     82. St. Clement    83. St. Columba    84. St. Cuthbert    85. St. Denio     86. St. Ethelwald         87. St. Francis    88. St. George    89. St. Gertrude    90. St. Magnus    91. St. Michael    92. St. Oswald    93. St. Peter      94. St. Theodulph        95. St. Theresa    96. Samuel      97. Sandon      98. Sawston      99. Sine Nomine         100. Stella       101. Stracathro     102. Stuttgart      103. Tallis Canon         104. Turris Davidica        105. Victory      106. Vox Dilecti    107. Wareham     108. 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We Wish you a Merry Christmas    Index of Hymns  Index of Carols  Index of first lines of hymns listed with commonly used tunes  AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat 
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