Slagverk Ludwig NeuSonic Pro Beat 24 Shell Pack, m/Triad Mount, Silver Silk

Slagverk Sonor 150th Anniversary Signature Shells Set, Bubinga/Beech w/Gold HardwareFusing Legacy and modern TechnologyThe original SONOR Signature Series was introduced at the Frankfurt Musikmesse in 1980. It was the result of extensive scientific research commissioned by SONOR in the pursuit of building the most sonically and technically advanced high-end drum set of its time. The extremely deep and heavy 10.5mm beechwood shells were designed for the most unobstructed drum head vibration, resulting in the purest tone with the most resonance and projection. To say that the Signature Series raised the bar for high-end drums would be an understatement. It defined what high-end drums were supposed to be from that point on.The 150th Anniversary Signature Series Shell Sets are more than just a reissue of the original from the 1980s. They are a tribute which merges tradition and innovation by combining a replica of theSignature Series shell with contemporary state-of-the-art shell hardware features.To faithfully recreate the iconic Signature Series shell, 13 plies of selected German beech veneer are cross-laminated. As with the original, genuine Bubinga is used for the outer and inner ply of the shell. The stunning grain structure, various color shades and dark streaks of the Bubinga Pommelé (Guibourtia demeusii) used for this instrument add even more visual dimension. To emphasize the naturally grown beauty of the Bubinga veneer, the shells are finished with clear high gloss lacquer, which is applied in multiple lacquering and polishing stages by hand. All hardware on the drums is plated with 24-carat gold to offset the dark and saturated brown color of the veneer as well as create the ultimate luxurious experience. Finally, all drums receive individually numbered commemorative badges to certify the uniqueness of each 150th Anniversary Signature Series Shell Set.The 150th Anniversary Signature Series Shell Set is strictly limited to 75 pieces worldwide. 25 of which are made in the Heritage outfit featuring authentic Signature Series shell depths, whereas the remaining 50 use shallower, more contemporary depths. SONOR SIGNATURE Shell Set: - SKU: 11004321 - 22"x16" Bass Drum with Mount - 10"x07" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 12"x08" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 14"x13" Floor Tom - 16"x15" Floor Tom - 14"x8" Snare Drum - DTH 675 MC G Double Tom Holder - Limited to 50 pieces worldwide

Slagverk Sonor 150th Anniversary Lite Shells Set, Scandinavian Birch w/Ruthenium HardwareFusing Legacy and modern TechnologyThe original SONORLITE was introduced in 1983 and derived from the light shell variant of the SONOR Signature Series. Therefore, sonic and technological perfection were considered equally important, both for SONORLITE and SONOR Signature. Yet, the use of a significantly thinner and lighter shell with an equallystrong shell construction in addition to slightly shallower drum depths granted SONORLITE far superior practicality compared to the heavy SONOR Signatures. Thus, it became the ultimate premium drum set forthe working musician of its time.The original SONORLITE used two different shell constructions. Bass drums and snare drums used a 12-ply (7mm) shell, whereas toms and floor toms used a 9-ply (6mm) construction. All shells were made from selected Finnish birch which was used because of its similar mechanical qualities compared to German beech, however at a much lower weight. The result was a mechanically strong and light shell that allowed for unobstructed drum head vibration, resulting in a pure, full and open tone with lots of resonance. The 150th Anniversary SONORLITE Shell Sets are more than just a reissue of the original from the 1980s. They are a tribute which merge tradition and innovation by combining a replica of the SONORLITE shell with contemporary state-of-the-art shell hardware features.To faithfully recreate the iconic SONORLITE shell, 9 respectively 12 plies of selected Finnish birch veneer are cross-laminated. For the outer and inner ply of the shells, stunningly grained Scandinavian Birch (Betula alba) is used. Originally introduced with the SONORLITES, this veneer has remained one of the most iconic SONOR finishes to date. To emphasize the naturally grown beauty of the Scandinavian Birch veneer and in homage to the original, all shells are finished with clear semi gloss lacquer, which is applied in multiple lacquering and polishing stages by hand.All hardware on the drums is plated with Ruthenium to offset the blonde color of the veneer whilst alsoadding a luxurious touch to the understated elegance and simplicity of the original. Finally, all drums receive individually numbered commemorative badges to certify the uniqueness of each 150th Anniversary SONORLITE Shell Set. SONORLITE Shell Set: - SKU: 11004522 - 22"x16" Bass Drum with Mount - 10"x07" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 12"x08" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 14"x13" Floor Tom - 16"x15" Floor Tom - 14"x7.25" Snare Drum - DTH 675 MC B Double Tom Holder - Limited to 50 pieces worldwide

Slagverk Ludwig Legacy Mahogany 110th Anniversary Flash Diamond Inlay Charcoal, 22 Shell Pack, MahoganyLegacy Mahogany Flash Diamond Inlay Charcoal outfitDue to the heightened popularity of version one released at NAMM, the Ludwig team has been hard at work to bring you the follow-up you demanded.This anniversary outfit is inspired by Ludwigs most coveted drums that date back to the 1930s. Flash Pearl Inlay made its debut as a high-end finishing feature for customers to further personalize and amplify the presentation of their drum set. Ludwig takes it a step further in our 110th versions by using exquisite pieces of exotic veneer to replicate what the Flash Diamond option originally presented as a Wrap finish. This presentation is made complete with Ludwigs revered Legacy Mahogany 3-ply shell design. Limited to 40 3pc Shell Packs and 60 Snare Drums. Outfit Specs:- 22x14 Bass Drum- 16x16 Floor Tom- 13x9 Tom Tom w/Triad Mount on VibrabandNB! Matching 110th Anniversary skarptromme, stativer og cymbaler følger ikke med i slagverket.

Slagverk Pearl Roadshow RS585C/C31, 18 m/Stativer, Cymbaler og Stol, Chrome Hardware, Jet BlackSecond-rate gear only makes your drumming journey harder. The Pearl Roadshow is not a toy or a hand-me-down. It's a complete drum set package with everything you need to start your rhythmic journey to the big time. Here are some things to look for when buying your first drum kit; see for yourself how Roadshow stacks up:The cymbals, hi-hat, and snare stands should start with a strong and well-balanced tripod base. Double-braced legs and interlocking tilter adjustments are also vital for keeping all parts of the kit in place under the pressure of performance. Roadshow's included hardware package is second-to-none in its class. All stands are dual-reinforced, height and angle adjustable, and feature double-braced legs to withstand the pounding onslaught of the heavy-hitting drummer.The snare drum is the voice of the drum set and captures everything from the loudest accents to the softest "ghost" notes. With a matching shell and finish, the Roadshow snare is full of attack and power, yet sensitive enough for drumming at any volume.The bass drum is the tonal heartbeat of the drum set and should not only set the low-end pulse for the groove, but be a foundation for the rest of the complete drum set-up. The Roadshow kick drum features an extended tension/tuning range for low, chest-thumping bass frequencies, and includes locking, slip-free feet, and secure mounting for toms and accessories.Roadshow's included cymbal set features a 16" brass crash/ ride and a set of 14" brass/hybrid hats. Perfect for accents and timekeeping until an upgraded multi-cymbal set-up is acquiredFinish available: #31 Jet Black - #91 Red Wine - #707 Bronze Metallic. All with Chrome Hardware. Features:ConfigurationBass drum: 18" x 12"Tom: 10" x 7"Tom: 12" x 8"Floor tom: 14" x 10"Snare, Steel: 13" x 5"Cymbals standsHardware: Bass pedalHi-hat standBoom standStraight standThrone: Shell material: Poplar

Slagverk Yamaha Stage Custom Birch SBP2F5DUS7, 22, Deep Blue Sunburst m/HW780 Hardware SettShell: All Birch 6plyHeads:BD Head: Front: Ebony P3 typeBatter: Clear P3 typeFT/TT Head: Top: Clear AmbassadorBottom: Clear DiplomatSD Head:Top: Coated AmbassadorBottom: Snare AmbassadorLug: Seperate lug (Absolute lug )Hoops:Triple flange hoop (1.5mm) (TT/FT/SD)Wood hoop (BD)Tom Mount: Y.E.S.S. (Yamaha Enhanced Sustain System)Configuration:10'' x 7''Quick Tom12'' x 8''Quick Tom16'' x 15'' Floor Tom22'' x 17'' Bass Drum14'' x 5,5'' Snare DrumTH945B Twin Tom Holder

Slagverk Yamaha Stage Custom Birch SBP0F5DUS7, 20, m/Stativer, HW780, Deep Blue SunburstShell: All Birch 6plyHeads:BD Head: Front: Ebony P3 typeBatter: Clear P3 typeFT/TT Head: Top: Clear AmbassadorBottom: Clear DiplomatSD Head:Top: Coated AmbassadorBottom: Snare AmbassadorLug: Seperate lug (Absolute lug )Hoops:Triple flange hoop (1.5mm) (TT/FT/SD)Wood hoop (BD)Tom Mount: Y.E.S.S. (Yamaha Enhanced Sustain System)Configuration:10'' x 7''Quick Tom12'' x 8''Quick Tom14'' x 13'' Floor Tom20'' x 17'' Bass Drum14'' x 5,5'' Snare DrumTH945B Twin Tom Holder

Stortrommeklubber Freer Percussion BDF7, Carbon Fiber Shaft, Maple Ball Dual Hard/SoftBDF7 CARBON FIBER SHAFT LARGE DISC CORE BASS DRUM ROLLERS (SOLD IN PAIRS)Carbon Fiber Shaft, Bass Drum MalletsThe BDF7 has now been reinvented with a new fiberglass shaft, new thicker/softer base felt and a new synthetic wool covering with a faux suede backing.DESCRIPTIONThis is a large roller that is still easy to roll with and can provide you an absolutely stroke-less roll sound which the orchestra will feel in their seats. If youre looking for something that will get the most fundamental deep end out of any size bass drum and create that subwoofer undertonethis is the mallet. It is also a great mallet for single notes where you want nearly no attack because of the large head. It produces no point to the sound at all, so for soft single notes it is unbeatable. Also excellent on small tam tams and medium sized tuned gongs. Highly recommended for the long soft rolls in Stravinsky Firebird. You will feel and hear rumble but not hear roll strokes.

Stortrommeklubber Innovative Percussion CL-BD12C, Chris Lamb Orchestral Bass Drum Beaters - Classic Wood/ChamoisCL-BD12CCONCERT BASS DRUM - "CLASSIC WOOD" (pair) The CL-BD12C Classic Wood trims down the sound of a single wood core and does the fine work of the Maximus, but with more detail and finesse. The added chamois cover provides a firm yet warm articulation. Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubber Innovative Percussion CL-BD12, Chris Lamb Orchestral Bass Drum Beaters - Classic WoodThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.CL-BD12 Classic Wood: These workers trim down the sound of a single wood core and do the fine work of the Maximus but with more detail and finesse.Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music. NB! Utgående modell

Stortrommeklubber Innovative Percussion CL-BD7C, Chris Lamb Orchestral Bass Drum Beater - Maximus, ChamoisChristopher Lamb Orchestral Series - Concert Bass Drum BeatersCL-BD7CCONCERT BASS DRUM - "MAXIMUS" (pair)The CL-BD7C Maximus was created with a top-heavy concept to achieve maximum body and depth from the drum. The chamois-covered wood core naturally creates a uniquely raw impact sound, while also taking the edge off the contact timbre. The added brass weight gives it more depth of sound for a very dark tone. Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubbe Innovative Percussion CL-BD1, Chris Lamb Orchestral Bass Drum Beater- Big Beater The bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.L-BD1 Big Beater: This large, top heavy mallet will give the big boom required by the music.  Dont push this mallet just flex the wrist and let the top end work for youChristopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubber Innovative Percussion CL-BD13, Chris Lamb Orchestral Bass Drum Beaters - Bulls EyesThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining. CL-BD13 "Bulls-Eyes":  This pair fills in the sounds and feels not covered by other mallets in this collection.  Uniquely built with aluminum handles and latex tips on the striking area, the Bulls-Eyes provide a surprisingly full and warm sound.  This is an exploration in weight distribution as well as design so as to address developing creativity for bass drum parts now and in the futureChristopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.