Sonatas for Pianoforte and Violin, Ludwig van Beethoven
Volume I and Volume II
- Special set price for Beethovens Sonatas for pianoforte and violin
- First edition with Critical Commentary, source description, historical information on Beethovens notation and metronome markings, and a Performing Practice Commentary (online resource)
- Each volume with two solo violin parts (Urtext and historically annotated)
Product information
Edition number: BA09036
ISMN: 9790006563784
Composer / Author: Beethoven, Ludwig van
: Sonatas for Pianoforte and Violin
Scoring: Piano, Violin
Instrumentation in detail: Piano, Violin
Volume / Series: BÄRENREITER URTEXT
Editor: Brown, Clive
Translator / Others: Beer, Axel / Schwemer, Bettina / Schütz, Gudula
Foreword / Introduction: Brown, Clive
Product format: Performance score (2), Part (2), Urtext edition, Anthology
Scoring: Piano, Violin
Remarks on the edition: Each volume contains an Urtext violin part and a second violin part with historically accurate fingering and bowing
Publisher: Bärenreiter
Binding: Paperback
Print run: 1st printing 2020
Pages / Format: LXXV, 151/49, 49 S./LXXVII, 210/64, 64 S. - 31,0 x
Weight: 3021 g
Manufacturer Identification (GPSR): Bärenreiter-Verlag
Languages of the text: English, German
Description
Beethovens ten sonatas for violin and piano are among the most famous works of chamber music history and represent, together with Mozarts works for this combination, the core of violin repertoire from the Viennese Classicist period.
Clive Browns ground-breaking new edition combines a scholarly Urtext approach with the provision of a wealth of information on historical performing practice, all conveniently united in one practical edition. It is the first scholarly-critical edition to include a complete Critical Commentary and a description of all relevant sources.
This edition contains all ten sonatas for violin and pianoforte by Beethoven; five in the first (BA 9014) and five in the second volume (BA 9015). Additionally, it offers a detailed introduction by Clive Brown, the chapter Reading between the lines of Beethovens notation (German/English), as well as information on historical metronome markings and the Critical Commentary (English).
This edition consists of a score and two individual parts for the violin: an Urtext part based on the scholarly-critical assessment of all sources, and an annotated part with fingering and bowing by Clive Brown based on the thorough study of historical techniques and practices.
The pivotal Performing Practice Commentary by Clive Brown and Neal Peres Da Costa is available online, supplementing information on performing practice for each Sonata and each movement in this volume. It discusses conventions of both violin and piano playing in Beethovens period, describes historical contexts and advises on phrasing and technique based on the evaluation of historical editions (s.a. von Czerny, Ferdinand David, Alard, Diémer, Grützmacher, Reinecke, Brodsky, Joachim, Rosé, Halir, Kreisler etc.).
Content
Band I:
Sonatas for Pianoforte and Violin op. 12,1
Sonatas for Pianoforte and Violin op. 12,2
Sonatas for Pianoforte and Violin op. 12,3
Sonatas for Pianoforte and Violin op. 23
Sonatas for Pianoforte and Violin op. 24
Sonatas for Pianoforte and Violin op. 30,1
Sonatas for Pianoforte and Violin op. 30,2
Sonatas for Pianoforte and Violin op. 30,3
Sonatas for Pianoforte and Violin op. 47
Sonatas for Pianoforte and Violin op. 96
Early Perfoming Editions and Historical Metronome Marks
Band II:
Introduction
Reading between the lines of Beethoven´s notation
Sonate in A op. 30, Nr. 1
Sonate in c op. 30, Nr. 2
Sonate in G op. 30, Nr. 3
Sonate in A op. 47
Sonate in G op. 96
Early Perfoming Editions and Historical Metronome Marks
Critical Report
