Stortrommeklubbe Vater MV-CB1, Concert Bass Drum Mallet

Stortrommeklubber Innovative Percussion CB-5, Concert Bass Drum, Rollers (Pair) Medium (5/8) red oak handle, cartwheel style heads with synthetic felt liner, specifically designed for rolled passages.

Stortrommeklubber Innovative Percussion CL-BD13, Chris Lamb Orchestral Bass Drum Beaters - Bulls EyesThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining. CL-BD13 "Bulls-Eyes":  This pair fills in the sounds and feels not covered by other mallets in this collection.  Uniquely built with aluminum handles and latex tips on the striking area, the Bulls-Eyes provide a surprisingly full and warm sound.  This is an exploration in weight distribution as well as design so as to address developing creativity for bass drum parts now and in the futureChristopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubber Innovative Percussion CL-BD12, Chris Lamb Orchestral Bass Drum Beaters - Classic WoodThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.CL-BD12 Classic Wood: These workers trim down the sound of a single wood core and do the fine work of the Maximus but with more detail and finesse.Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music. NB! Utgående modell

Stortrommeklubber Innovative Percussion CL-BD10, Chris Lamb Orchestral Bass Drum Beaters - Little Punk The bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imagining.CL-BD10 Little Punk: These are a truncated version of the Little Igor with added swiftness to the reaction time. Because of the size, they lend themselves to a number of multi drum set up possibilities. Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubbe Innovative Percussion CL-BD9, Chris Lamb Orchestral Bass Drum Beater - RogueThe bass drum mallets in this new line have been engineered carefully with weight distribution thoughtfully considered. Some are designed to be nimble in the hand and snappy off the drum while others are intended to allow a lingering weight at impact. In all cases, they will address the feel you are looking for and the sounds you are imaginingCL-BD9 Rogue: These hard core mallets remove the edginess of the Classic Wood model and fill out the more subtle rhythmic passages.  Once again, the tapered handles add an element of dexterity that supports a lightning response required by many parts.Christopher S. LambManhattan School of MusicNew York Philharmonic Principal PercussionistGrammy Awardwinning percussionist Christopher Lamb has been hailed as a dynamic and versatile performer. Having joined the New York Philharmonic as Principal Percussionist in 1985, The Constance R. Hoguet Friends of the Philharmonic Chair, he subsequently made his solo debut with the Orchestra in the World Premiere of Joseph Schwantners Percussion Concerto, one of several commissions celebrating the Philharmonics 150th anniversary. He has since performed the work to critical acclaim with orchestras throughout the United States and in 2011 won a Grammy for Best Classical Instrumental Soloist for his recording of Schwantners Percussion Concerto with the Nashville Symphony. Mr. Lamb also gave the World Premiere of Tan Duns Concerto for Water Percussion, a second work commissioned for him by the New York Philharmonic, and has performed it to rave reviews on the Philharmonics tour to South America, as well as in Asia and Europe with such notable orchestras as the London Philharmonic Orchestra, Amsterdams Royal Concertgebouw, Leipzigs Gewandhaus Orchestra, and the Tokyo Metropolitan Symphony Orchestra. In the United States, he has performed the work with the Boston Symphony Orchestra, Baltimore Symphony, and the Pacific Symphony. New York Philharmonic Music Director Emeritus Kurt Masur selected Mr. Lambs performance of Tan Duns Concerto for Water Percussion for release in the Orchestras collection of recordings highlighting his tenure as Music Director. The third commission for Mr. Lamb by the New York Philharmonic, Susan Bottis Echo Tempo for Soprano, Percussion, and Orchestra, was given its World Premiere by Ms. Botti, Mr. Lamb, and the New York Philharmonic under the baton of Mr. Masur. A faculty member of the Manhattan School of Music since 1989, Christopher Lamb has led clinics and master classes throughout the United States and on almost every continent. In 1999 he was the recipient of a Fulbright Scholars Award to lecture and conduct research in Australia. During his five-month residency at the Victorian College of the Arts in Melbourne, he presented master classes and seminars titled A Comprehensive Examination of Orchestral Percussion, which has grown into a model for the art of teaching percussion. In 2010 Mr. Lamb was invited to join the faculty of the Royal Conservatoire of Scotland as an international fellow. Mr. Lamb has recorded chamber works on the New World, Cala, and CRI labels, and his Grammy Awardwinning performance of Schwantners Percussion Concerto is available on the Nonesuch label. Christopher Lamb is a former member of The Metropolitan Opera Orchestra and Buffalo Philharmonic and a graduate of the Eastman School of Music.

Stortrommeklubber Freer Percussion BDFG, Carbon Fiber Shaft General Felt BDFG CARBON FIBER SHAFT GENERAL FELT BASS DRUM MALLETS (SOLD IN PAIRS)Carbon Fiber Shaft, Bass Drum MalletsThis new model is based on the same design as the BDF1 yet still lighter than the standard BD4 wood shaft model. Its perfect for players that prefer traditional grip when playing with pairs.They are extremely versatile. It is essentially the lighter weight version of its big hickory brother, the BD4. Same head size and American felt covering as the BD4, but with the added agility of the smaller diameter fiberglass shaft design. Great for any rhythms or grace notes such as Carmina Burana and of course ALL Prokofiev bass drum parts. Or as a general beater on smaller drums for a smaller more compact sound. Extremely versatile and excellent on small tam tams and medium tuned gongs.

Hvordan Spille Moderne Trommesett, Ernst Wiggo Sandbakk, m/CDErnst Wiggo Sandbakk:Fra bokas forord:Etter å ha undervist trommeslagere i flere år, og underveis gransket markedet for aktuelt undervisningsmateriale, har jeg funnet at behovet for et norsk undervisningsopplegg for trommesett er stort. Dette har iverksatt meg med utarbeidelse av det materiale som nå foreligger.Hvordan spille moderne trommesett er et undervisnings- opplegg som kan sammenfattes under følgende punkter:· egner seg for nybegynnere.· vil fylle tomrom hos den viderekomne· egner seg til selvstudium· kan brukes til undervisning. Den er lagt opp slik at den også kan følge Kjell Samkopf's utmerkede "Praktisk Trommeskole del 1A, 1B, og del 2".· er et komplett opplegg for utvikling av koordinasjon mellom armer og bein.· har naturlig progresjon. Starter med enkle rocke-takter som steg for steg utvikler uavhengighet og ferdigheter i notelesning.· er en guide i dagens mest benyttede stilretninger. Presenterer de fleste typer rock, disco, shuffle, rocke-swing, jazz-swing, bossa-nova, samba, reggae, new-wave, punk, vispeteknikk, solo-øvelser samt en del tekniske øvelser.Hvordan spille moderne trommesett er en grundig innføring i trommesettspill, hvor den grunnleggende ide har vært å presentere anvendbare og praktiske ting. Det meste av innholdet i denne boka vil før eller senere komme til nytte hos en ivrig trommeslager.  

Mute Baritone Practice Denis Wick 5536 AluminiumDescription:Denis Wick practice mutes are perhaps the best teaching aid ever invented. Not only do they fulfil the need for the IN TUNE painless practice, so essential in the development of every young player and an indispensible 'hotel mute' for the professional, but they also possible an enormous improvement in tone quality using the entire vital capacity as a vibrating air column by opening the throat spaces through playing loudly in the low register. 

GEWA GUITAR GIG BAG BASIC 5High quality Cordura 600 DenierTearproof and water resistantAll carrying parts reinforced5 mm High-Density foam rubber paddingBody area with additional side protection, zipperOptimised handle for children's handsSewn-on, continuous rucksack strapLarge music sheet/accessory pocketFluff-free honey comb interior, anthraciteSewn-in additional protection in machine head and bridge areaStitched GEWA-logoBlack

Chain Chime WTF Percussion, CCChain ChimeA cluster of chains with a piezo mic system?! I always wanted a way of getting a super "close sounding" chain and this is what I came up with. It can be used as a crash substitute or in can enhance hihats, snares and other instruments by resting the chain links on them! The do not make a lot of acoustic noise by design, you plug them in using a standard 1/4 guitar cable and create the sound you want. Plug it in to your audio interface, DI-box, guitar pedals or pretty much whatever you want and go crazy!

OWEN FARR SIGNATURE TENOR HORN MOUTHPIECE SILVER PLATEDALLIANCESize 3Owen Farr Signature Line. Designed by one of the worlds finest tenor horn players. Warm sound with great flexibility and easy response.Cup Diameter: 18.75 mmRim: 5.75 mmBore: 5.2 mmCup: MediumComparison: Similar to a Denis Wick 3 but with a heavier more streamlined body.

Spider Nuts WTF Percussion, SNMSpider Nuts Moldy goat nails may look nice, but they dont have a lot of volume. Weve redesigned the hihat rattle concept from the ground up, it now features a flexible press fit on the rod. This means you can set the height of the nuts to your liking. Theyre also way more durable than the hihat rattles you see in stores today. Have them dangling high for the most volume and sustain or press it all the way to the clutch for a tighter sound. You can also disengage the hihat clutch while keeping the Spider Nuts attached to the rod, this gives you the opportunity to play just the nuts with your hihat pedal! The Spider Nuts are easily stackable which creates a chunky, loud and groove inspiring sound!