Three Lyric Pieces Op.119, Arthur Butterworth. Tuba and Piano

Bach Sonata in E FlatAllegro ModeratoThe composition of instrumental music dominated Bachs years at Cothen 1717-1723. The Sonata in E flat Major is one of six flute and harpsichord sonatas written during this period. These were placid years for Bach, conducting the Court Orchestra and composing. The E flat Major Sonata is a happy and carefree representative of those years. The sonata is written in concerto form yet with melodic equality between the two instruments. Only the second movement, Siciliano, employs the harpsichord as a true accompanist, while the tuba sings melody with a pleasing tenderness.  Floyd CooleyNationally and internationally known tubist Floyd O. Cooley is one of the most skillful and adventuresome tuba players currently playing. He has been heard in recital throughout the US , Europe and Japan , appearing as soloist, clinician, giving Master classes, and as a member of the San Francisco Symphony.Floyd joined the San Francisco Symphony in 1969, at the time the youngest tuba player in any major orchestra in the United States . Since then he has soloed with that orchestra on two occasions, under the baton of Seiji Ozawa and Jahja Ling, given recitals in a wide variety of places, including Carnegie Hall, commissioned works by Earl Zindars and Richard Felciano and recorded three solo albums, The Romantic Tuba on Crystal Records, A Schumann Fantasy on Summit Records, and Friends in Low Places on Albany Records. He played the 1992-1993 season with the Chicago Symphony Orchestra.As a musician of extremely varied activities and interests, Floyd founded the San Francisco Tuba Quartet. He has performed on the Visiting Artist Series in the Quad Cities of Iowa and Illinois , where he played in schools and factories to over fifteen thousand people, and has played with the 49ers Jazz Band and Perrys Turkey Bowl Pep Band. No matter what the activity, Floyd has been praised for his sensitive playing, mellow tone and singing melodic line. The San Francisco Chronicle wrote the sheer beauty of tone and technical accuracy were amazing. The effect was operatically vocal. A performer at the Aspen Festival in the summers of 1968 and 1969, Floyd has been a participant at the Grand Teton Music Festival from 1975-2001.Floyd spent one year at Kansas University and received a Performers Certificate from Indiana University in 1969. While at Indiana he studied with William Bell, and also has studied with Mstislav Rostropovich, Jacob Krachmalnick and Mark Lifschey. He Studied with Arnold Jacobs from 1973-1998.In 2001 after 31 years playing with the SFSO he turned his career towards teaching.

Tuba Classics Schumann Drei RomanzenNicht Schnell -1Einfach, innigNicht Schnell -3The Three Romances, op. 94, come from the last month of 1849. Schumann intended them in the first place for oboe, but provided for alternative versions for violin or clarinet. The manner of the first Romance is demure. If, however, we listen carefully to the music, we hear that when the tuba melody begins, projected against a screen of simple chords in the piano, it adds a surprising stretch to the end of the first phrase so that we get in fact a beguilingly asymmetrical five measures. Schumann makes quasi-amends by adding a three measure echo, odd in itself, but conciliatory in that it makes the whole package add up to a neat eight bars. When the tuba resumes, it does so in pairs of three measure phrases; also the overlapping melodies of tuba and piano are rhythmically anything other than naive or obvious. In other words, beneath the Biedermeier exterior there beats a distinctly subversive heart. Adventure, understated adventure not quite letting on that it is adventure, is altogether a hallmark of these pieces. And if, for example, the symmetries and rhymes of the second Romance seem to contradict all this, it is only the more effectively to set off the impetuous gestures of its slightly quicker middle section and the delicious oddities of the closing piece of this opus.Floyd CooleyNationally and internationally known tubist Floyd O. Cooley is one of the most skillful and adventuresome tuba players currently playing. He has been heard in recital throughout the US , Europe and Japan , appearing as soloist, clinician, giving Master classes, and as a member of the San Francisco Symphony.Floyd joined the San Francisco Symphony in 1969, at the time the youngest tuba player in any major orchestra in the United States . Since then he has soloed with that orchestra on two occasions, under the baton of Seiji Ozawa and Jahja Ling, given recitals in a wide variety of places, including Carnegie Hall, commissioned works by Earl Zindars and Richard Felciano and recorded three solo albums, The Romantic Tuba on Crystal Records, A Schumann Fantasy on Summit Records, and Friends in Low Places on Albany Records. He played the 1992-1993 season with the Chicago Symphony Orchestra.As a musician of extremely varied activities and interests, Floyd founded the San Francisco Tuba Quartet. He has performed on the Visiting Artist Series in the Quad Cities of Iowa and Illinois , where he played in schools and factories to over fifteen thousand people, and has played with the 49ers Jazz Band and Perrys Turkey Bowl Pep Band. No matter what the activity, Floyd has been praised for his sensitive playing, mellow tone and singing melodic line. The San Francisco Chronicle wrote the sheer beauty of tone and technical accuracy were amazing. The effect was operatically vocal. A performer at the Aspen Festival in the summers of 1968 and 1969, Floyd has been a participant at the Grand Teton Music Festival from 1975-2001.Floyd spent one year at Kansas University and received a Performers Certificate from Indiana University in 1969. While at Indiana he studied with William Bell, and also has studied with Mstislav Rostropovich, Jacob Krachmalnick and Mark Lifschey. He Studied with Arnold Jacobs from 1973-1998.In 2001 after 31 years playing with the SFSO he turned his career towards teaching.

Composition - Song for the SkiesCommissioned by tuba virtuoso Les Neish this piece is a simple yet beautiful solo for the E flat Tuba. It is a slow melody with a nice Celtic feel to it and is suitable for all tuba players who enjoy playing slow melodies. Circa 3'20". Soloist: Grade 4 ABRSM       Section: 4+Song for the Skies was commissioned by Tuba virtuoso Les Neish and was given its world premier on the December 9th 2010 with the James Madison University Brass Band in Harrisonburg, Virginia, USA.Les asked me to compose a slow melody that highlights the wonderful sonorous sound of the Tuba. I am a big fan of Les and of the instrument and knowing the capabilities of Les as a soloist I wanted to experiment with the range and colour of the instrument in this solo.After a warm introduction from the ensemble the soloist enters almost timeless over the muted cornets. The melody when it is first heard has a somewhat haunting Celtic feel to it. It is intentionally marked as con rubato so that the soloist can really put their own musical stamp on the music. As the haunting melody repeats again this time in a change of key the accompaniment takes more of a role within the piece of music performing counter melodies within this second section.The middle of the piece introduces a new secondary melodic device that serves as an introduction to the original melody played in all its glory by the ensemble. This dies away to leave the second half of the melody in the euphoniums and baritones as the soloist plays a soaring counter melody in the highest register of the instrument.The piece starts to return home with a recapitulation of the introduction followed by the second part of the original melody by the soloist. After a momentary reflective solo from the soloist the introduction is used for a final time before the tuba guides us home to conclude.For the soloist, there are a number of occasions where the opportunity to play in the upper register of the instrument arises. However, I have also given the opportunity for the soloist to play various passages down the octave so it suits the performers playing style and range.Song for the Skies is very simple yet beautiful and I feel it suits the playing of the Eb Tuba perfectly. I hope you enjoy performing it.

First Solos For The Tuba Player Catalogue Number: GS33249 / HL50332490Media: Sheet MusicLanguage: EnglishArrangement: Tuba, Piano Accompaniment (TBA/PFA) Artist: Herbert WekselblattSeries: First SolosDescription A collection of solos for beginners, compiled to assist the tuba-player in learning to play melody lines and to introduce them to common repertoire where tuba solos make an appearance, for example Grieg's 'In The Hall Of The Mountain King' and Schumann's 'The Happy Farmer'. Given the tuba's place in band music, several military meoldies also make an appearance; there is also the much harder 'Down In The Deep Deep Cellar' for a challenge. The pieces are selected and arranged for Tuba and Piano (including seven Tuba duets) by Herbert Wekselblatt. Songlist Anchors Aweigh Asleep In The Deep [Perrie, H.W.] Battle Hymn Of The Republic Carnival Of Venice [Arban, Jean Baptiste] Country Dance [Beethoven, Ludwig Van] Down In The Deep Cellar [Fischer, Ludwig] Falstaff's Drinking Song (The Merry Wives Of Windsor) [Nicolai, Otto] Gavotte [Lully, Jean-Baptiste] Hornpipe [Jacob, Gordon] In The Hall Of The Mountain King (Peer Gynt Suite Op.46) [Grieg, Edvard] La Villageoise (The Peasant Girl) [Rameau, Jean-philippe] March (Les Petits Riens) [Mozart, Wolfgang Amadeus] March Of A Marionette [Gounod, Charles] Marine's Hymn Musette [Bach, Johann Sebastian] Oxford Gavotte [Kagan, Susan] Seven Duets The Caissons Go Rolling Along The Happy Farmer Op.68 No.10 (Album For The Young) [Schumann, Robert] The Wild Horseman Op.68 No.8 (Album For The Young) [Schumann, Robert] When Johnny Comes Marching Home   

Andante and Rondo for Tuba, Euphonium or Trombone and PianoCapuzzi, Giuseppe Antonio arr Philip CatelinetAntonio Capuzzi (1755 1818) was an Italian violinist and composer who studied violin with Nazari and composition with Bertoni. In 1805 he moved to Bergamo, where he was professor of violin at the Instituto Musicale, and leader of the orchestra at Teatro Riccardi. He was highly regarded there both as a teacher and as a performer. All of Capuzzis known compositions were written during his Venetian years. The Concerto for Double Bass is a staple of the repertoire given the rarity of Classical pieces for the instrument. This edition was done by Philip Catelinet, and can be performed on euphonium, trombone, and tuba. The Andante and Rondo is movement two and three from the Concerto for Double Bass.solo parts included: BC, TC, Eb Bass, Bb Bass, Tuba in C

SOLOS FOR THE TUBA PLAYER Catalogue Number: GS33051 Media: Sheet MusicLanguage: EnglishArrangement: Tuba, Piano (TBA/PFA)  Series: Solos For (Schirmer)Selected and edited by Herbert Wekselblatt. Twenty-six selections by Bach, Berlioz, Bernstein etc. Brings the tuba player a new awareness of technical and artistic possibilities.A Faust Overture [Wagner, Richard] Also Sprach Zarathustra [Strauss, Richard] Bourree (Cello Suite No.3 In C BWV1009) [Bach, Johann Sebastian] Dream Of A Witches'sabbath (Symphonie Fantastique) [Berlioz, Hector] Duet [Saint-jacome, Louis A.] Ernani [Verdi, Guiseppe] Falstaff [Verdi, Guiseppe] Hungarian March (The Damnation Of Faust) [Berlioz, Hector] March To The Scaffold (Symphonie Fantastique) [Berlioz, Hector] Masterings Of Nurenberg Prelude [Wagner, Richard] None But The Lonely Heart [Tchaikovsky, Pyotr Ilyich] O Isis Und Osiris (The Magic Flute) [Mozart, Wolfgang Amadeus] Otello [Verdi, Guiseppe] Polka (L'age D'or) [Shostakovich, Dmitri] Predlude To Act Iii Lohengrin [Wagner, Richard] Rigoletto [Verdi, Guiseppe] Romanze And Rondo (Horn Concerto No.3) [Mozart, Wolfgang Amadeus] Rondo Alla Scherzo (Clarinet Concerto In E Flat) [Stamitz, Karl] Salome [Strauss, Richard] Theme Fr. Die Walkure (Wagner) [Wagner, Richard] Theme From Das Rheingold [Wagner, Richard] Theme From Siegfried [Wagner, Richard] Two Concert Duets [Blazhevich, Vladislav] Waltz For Mippy Iii [Bernstein, Leonard]  

Bärenreiter Jubileumskampanje - Jubileumspris gjelder så langt forlagets lager rekker! Mozart, Wolfgang AmadeusSelected Piano PiecesDetailed product informationVolume / Series: BÄRENREITER URTEXTInstrumentation of the work: Piano soloLanguage(s) of text: German, EnglishProduct format: Performance score, Urtext editionComments: Excerpt from BA05745, BA09177Binding: StapledPages / Format: 14 S. - 31,0 x 24,3 cmEdition no.: BA08644ISMN: 9790006577361DescriptionBärenreiter is closely connected with Mozart. The complete works of the ingenious composer have been published in the benchmark New Mozart Edition issued by Bärenreiter. Moreover, the vast majority of compositions are available in performing Urtext editions based on the musical text of the New Mozart Edition. There is hardly a musical area in which Mozart did not excel during his short life, and this is also true of piano music. His concertos, sonatas, four-hand works, as well as many individual pieces are part of the standard repertoire.This collection turns to the young composer with three small pieces taken from "The Music Books of Mozart and His Sister" (BA09177). The Fantasy in D minor K. 397 (probably completed by August Eberhard Müller) and the Gigue in G major K. 574 from the volume "Miscellaneous Works for Piano" (BA05745) showcase the mature composer. The edition appears as part of a series of popular works from the Bärenreiter catalogue for the 100th anniversary of the publishing house.Content· Menuett in F major KV/K. 5 - No. 61 from: The Music Books of Mozart and His Sister· Piano Piece in C major KV/K. 9 a (5 a) - No. 20 from: The Music Books of Mozart and His Sister· Piano Piece in F major KV/K. 33 B - from: Miscellaneous Works for Piano· Gigue in G major KV/K. 574 - from: Miscellaneous Works for Piano· Fantasia in D minor (Fragment) KV/K. 397 (385 g) - from: Miscellaneous Works for Piano· March in F major (I) - No. 22 from: The Music Books of Mozart and His Sister· Allegro in B-flat major KV/K. 3 - No. 59 from: The Music Books of Mozart and His Sister

JOHAN S. SVENDSEN: Cellokonsert i D-dur, op. 7 PIANO SCOREUtgave ved Bjarte Engeset og Jørn Fossheim 

Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.

K&M 19793 Univiversalstativ og holder.iPad Air, iPad Pro, SurfaceBeskrivelseKombinasjon av stativ og universal tablet-holder. Perfekt å bruke på scenen, i studio eller for hjemmebruk..Justerbar i høyden fra 220 til 331mm (8.66'' til 13.03'') og bredde 128 til 232mm (5.03'' to 9.13''). Dybde på tablet kan variere mellom 6 og 11mm (0.24'' til 0.43'').Vridbar 90°Justerbar høyde 70-155 cm (27.55'' - 61.02'')Vekt: 2 kg*********************************19793 Tablet PC stand19793-316-55 - blackThe combination of the stand and the Universal Tablet Holder supports you on stage, at home or in the studio. The individually adjustable support arms can accommodate the use of tablets ranging in height from 220 to 331 mm ( 8.66'' to 13.03'') and width from 128 to 232 mm (5.03'' to 9.13'') (for example iPad, iPad Air, iPad Pro, Amazon Fire HDX 8.9, Samsung Galaxy Tab from 9.7, Google Nexus 9, Asus Transformer or Microsoft Surface as well as Surface Pro). The depth of the tablets can vary between 6 and 11 mm (0.24'' to 0.43''). For the first use of the tablet holder the support arms settings are made by adjusting the clamp screws to the size and depth of the tablet. For other uses the tablet can be attached and detached quickly and simply through a snap lock. A handy wing nut allows one to adjust the angle, so that each user will easily be able to find their ideal individual position. The tablet can switch between portrait and landscape positions. The tablet is kept in place, there is no danger of the tablet switching position by itself. The light and expandable stand can be adjusted to any height between 70 and 155 cm (27.55'' to 61.02''). A small and compact footprint makes this stand easy to transport. Product dataAdjustment: steplessAngle of inclination: 0° to 90°Depth: from 6 to 11 mmEAN: 4016842829347Height: from 222 to 334 mmMaterial: plastic, steelMax. load capacity: 1 kgSpecial features: freely rotates 90°Swivel: 90 °Type: blackWeight: 1.73 kgWidth: from 128 to 232 mm

KORG TM70TCombo Tuner Metronome i sort finishTM-serien, et banebrytende konsept med en kombinert tuner og metronom, kan skilte med et bredt utvalg funksjoner og enestående synlighet, og er det ultimate tuning- og rytmetreningselementet for blåse- og strengeinstrumenter.Den nyeste modellen, TM-70T, hever det originale konseptet ytterligere, noe som gjør det enklere å bruke enn noen gang. Den er ikke bare liten nok til å passe i lommen, men har en ny skjerm med forbedret synlighet, og en ny transponeringsfunksjon (F, Bb, Eb), noe som gjør den til den ideelle partneren for enhver musiker. Lydkvaliteten på metronomen og lyden ut er også forbedret slik at den er lett å høre selv i støyende omgivelser.Kvaliteten, hastigheten og nøyaktigheten til tuningen, som er avgjørende for enhver ytelse, har også blitt forbedret.TM-70T er fullstendig «Made in Japan», noe som er et vitnesbyrd om Korgs stolthet og forpliktelse til kvalitet som ledende innen tuner/metronomverdenen i mange år.Spesifikasjoner:Utstyrt med høypresisjons tunerfunksjon og metronomfunksjon. De to funksjonene kan brukes samtidigEt bredt deteksjonsområde av C1C8 støtter et bredt spekter av instrumenterLCD nålemåler med utmerket følsomhet og synlighetNylig utstyrt med en transponeringsfunksjon som gjør det mulig å bytte mellom i F, i B? og i E? i tillegg til kromatiskForbedret skjerm for bedre synlighet, samtidig som den reduserer størrelsen på TM-70Forbedret metronom, lyd ut og tilbakelyd for enda klarere lydKalibrering er justerbar for å matche ulike konserttonerMarkering for å indikere rene dur- og moll-tersintervallerSound Out-modus og Sound Back-modus er gode måter å trene øret påMetronomen har et bredt tempoområde fra 30 til 252 slag/minutt. Velg mellom tre typer tempoinnstillinger og 15 rytmevariasjonerLang batterilevetid på opptil 250 timerPraktisk minnebackup-funksjon og automatisk avslåingsfunksjonSammenleggbart stativ gjør at enheten kan stå aleneUniversell design med ikoner for hver funksjonSort og hvit fargevariasjonerLaget i Japan for høyeste kvalitetskontrollSeparat solgt CM-400 kontaktmikrofon gir enda høyere tuningpresisjon

Slagverk Sonor 150th Anniversary Signature Shells Set, Bubinga/Beech w/Gold HardwareFusing Legacy and modern TechnologyThe original SONOR Signature Series was introduced at the Frankfurt Musikmesse in 1980. It was the result of extensive scientific research commissioned by SONOR in the pursuit of building the most sonically and technically advanced high-end drum set of its time. The extremely deep and heavy 10.5mm beechwood shells were designed for the most unobstructed drum head vibration, resulting in the purest tone with the most resonance and projection. To say that the Signature Series raised the bar for high-end drums would be an understatement. It defined what high-end drums were supposed to be from that point on.The 150th Anniversary Signature Series Shell Sets are more than just a reissue of the original from the 1980s. They are a tribute which merges tradition and innovation by combining a replica of theSignature Series shell with contemporary state-of-the-art shell hardware features.To faithfully recreate the iconic Signature Series shell, 13 plies of selected German beech veneer are cross-laminated. As with the original, genuine Bubinga is used for the outer and inner ply of the shell. The stunning grain structure, various color shades and dark streaks of the Bubinga Pommelé (Guibourtia demeusii) used for this instrument add even more visual dimension. To emphasize the naturally grown beauty of the Bubinga veneer, the shells are finished with clear high gloss lacquer, which is applied in multiple lacquering and polishing stages by hand. All hardware on the drums is plated with 24-carat gold to offset the dark and saturated brown color of the veneer as well as create the ultimate luxurious experience. Finally, all drums receive individually numbered commemorative badges to certify the uniqueness of each 150th Anniversary Signature Series Shell Set.The 150th Anniversary Signature Series Shell Set is strictly limited to 75 pieces worldwide. 25 of which are made in the Heritage outfit featuring authentic Signature Series shell depths, whereas the remaining 50 use shallower, more contemporary depths. SONOR SIGNATURE Shell Set: - SKU: 11004321 - 22"x16" Bass Drum with Mount - 10"x07" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 12"x08" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 14"x13" Floor Tom - 16"x15" Floor Tom - 14"x8" Snare Drum - DTH 675 MC G Double Tom Holder - Limited to 50 pieces worldwide