Tre Norske Danse, Nils Larsen. Piano

Purpose, Rikard Nordraak , her i utgave for Piano. Ofte brukt som Inn- eller Utmarsj ved bryllup. I omfang er scenemusikken til Bjørnsons skuespill Maria Stuart i Skotland Nordraaks hovedverk. Den vitner om hans uomtvistelige evne til dramatisk levendegjøring av en tekst, om kompositorisk dyktighet og innsikt i instrumentasjon. Den innledende, festpregede Purpose spilles idet teppet går opp for en fargesprakende ballscene på slottet Holyrood i EdinburghRichard Nordraak ble født i Christiania 12/6 1842. Hans musikalske begavelse viste seg allerede i barneårene.I 1859 reiste Nordraak til Berlin for å studere musikk. Han ble elev av Theodor Kullak og Friedrich Kiel, men etter et halvt års opphold måtte han reise hjem igjen.I Christiania ble han nå i 2 år og fikk i denne tida undervisning både i klaver og komposisjon av den tyske organist Rudolph Magnus.Høsten 1891 reise Nordraak igjen til Berlin og fortsatt musikkstudiene hos sine tidligere lærere. Oppholdet varte denne gang i nesten to år, og han kom ikke hjem til Christiania før sommeren 1863.I 1863 utgav han sitt egentlige op. 1, 6 romanser til tekster av Bjørnson, Magdalene Thoresen og Ewald. Vinteren 1863-64 var han hjemme i Christiania, og her ble "Ja, vi elsker" til. Sommeren 1864 reiste Nordraak til København igjen og ble der til neste vår. Dette var hans mest aktive og produktive periode. Han skrev musikk til Bjørnsons "Maria Stuart i Skotland" og han utga sitt opus 2, "Fem Norske Digte", romanser til tekster av Bjørnson og Jonas Lie. Dette er de siste av Nordraaks komposisjoner som ble trykt mens han levde.I mai 1865 dro Nordraak igjen til Berlin for å fortsette sin utdannelse. I oktober 1865 ble han angrepet av tuberkulose, og døde 20/3 1866.Nordraak levde ikke lenge nok til å produsere mange verker. Omkring 40 komposisjoner, for det meste mindre verk, er bevart. De består av fjorten sanger for mannskor, scenemusikk til Bjørnsons skuespill Sigurd Slembe og Maria Stuart av Skotland og noen få klaververker.Utdrag fra Nils Grinde: Norsk Musikkhistorie. - Oslo : Musikk-Husets Forlag, cop. 1993. ISBN 82-91379-00-9

DESCRIPTIONBohuslav Martinu's Sonata No.1 for Piano solo.SPECIFICATIONSComposer Bohuslav MartinuProduct Format Instrumental WorkInstrumentation PianoProduct Type ScorePublisher Max EschigStyle/Period Description Post 1901Year of Publication 2001No. Pages 32ISMN 9790045028381Edition Number ME 6947

CommentsThis is Cage's famous silent piece. Although composed in 1952, he had already thought about it as early as 1948, where he mentions it as 'Silent Prayer' in his article A Composer's Confessions. In the work, no intentional sounds are made during its duration. The first version of the work contains 3 movements lasting 33", 2'40" and 1'20", each chance determined. Later on Cage reworked the piece, creating a wholly different composition from the original. Much has been written about 4'33" and about Cage's ideas behind its silence. Two of the most prevalent ideas are that 1. Silence does not exist. One simply should listen and open one's ears. 2. Silence is a means to separate tones and chords, in order to avoid melodic interpretations to the relationships between and among sounds. However, according to David Tudor, as quoted in interview materials contained in Peter Dickinsons Cage Talk (2006) 433 was for Cage a simple and quite natural extension of his use of chance operations applied to sounds and silences in composition, with silences, in this case, comprising the entire gamut of materials at his disposal.Alt. Title4:33, Four Thirty Three, Four Minutes Thirty Three SecondsDateComposed in 1952. Premiered in Woodstock, N.Y., August 29, 1952.Ensemble TypeIndeterminateWork Lengthfour minutes thirty-three seconds.Dedicatee(s)Irwin Kremen

Pen and pencil loop made of a strong black elastic strap. For thin pencils or thick fountain pens. The pen and pencil loop is self-adhesive and can, if desired, be stuck to the inside back cover of the notebook.Size: 40x40 mm, 15 mm elastic loop.

101 - Music standProduct variant: 10100-013-55 - blackDataHeight from 650 to 1,225 mmLeg construction brace construction, folds compactlyMaterial steelMusic desk traditionally foldableMusic desk dimensio4n4s0 x 215 mmProduct Category BaselineRod combination 3-piece folding designSize when folded 390 mmSpecial features the K&M ClassicType blackWeight 1.04 kgOur classic music stand has been redesigned. To provide new user friendly and comfortable height adjustment, the 101 was supplemented with clamp elements which protect the finish.The powder coating is extremely resistant to wear and tear and guarantees optimal protection against corrosion. With the optional carrying case, the collapsible music stand is always stored way and can be easily transported to any destination.

Trommestikker Freer Percussion SINF, Light Orchestral HornwoodFREER LIGHT ORCHESTRAL HORNWOOD SIGNATURE MODEL SINFHornwood Models, Snare Drum SticksDESCRIPTION Freer Light Orchestral Hornwood Signature Model The Hornwood light orchestral retains its shape from the tip back however I have deliberately chosen to eliminate the taper in the back. This increases the back weight feel of the stick just enough to help it rebound quicker which you can really feel in playing doubles such as 4 stroke ruffs in Lt. Kije and 7s in Scheherezade. By making this model out of Hornwood Im also able to increase the weight of the stick without increasing size and bulk. Our Hornwood is very dense and hard and adds a couple grams of weight as well. The feel is something like rosewood or ebony but without the excessive vibration and low pitch that come with those woods. It is also extremely durable and will likely last you a lifetime if cared for properly. I feel this is the absolute best version of this stick I have come up with to date. Really a perfect stick for ANY soft playing that requires clarity.

Slagverk Sonor 150th Anniversary Signature Shells Set, Bubinga/Beech w/Gold HardwareFusing Legacy and modern TechnologyThe original SONOR Signature Series was introduced at the Frankfurt Musikmesse in 1980. It was the result of extensive scientific research commissioned by SONOR in the pursuit of building the most sonically and technically advanced high-end drum set of its time. The extremely deep and heavy 10.5mm beechwood shells were designed for the most unobstructed drum head vibration, resulting in the purest tone with the most resonance and projection. To say that the Signature Series raised the bar for high-end drums would be an understatement. It defined what high-end drums were supposed to be from that point on.The 150th Anniversary Signature Series Shell Sets are more than just a reissue of the original from the 1980s. They are a tribute which merges tradition and innovation by combining a replica of theSignature Series shell with contemporary state-of-the-art shell hardware features.To faithfully recreate the iconic Signature Series shell, 13 plies of selected German beech veneer are cross-laminated. As with the original, genuine Bubinga is used for the outer and inner ply of the shell. The stunning grain structure, various color shades and dark streaks of the Bubinga Pommelé (Guibourtia demeusii) used for this instrument add even more visual dimension. To emphasize the naturally grown beauty of the Bubinga veneer, the shells are finished with clear high gloss lacquer, which is applied in multiple lacquering and polishing stages by hand. All hardware on the drums is plated with 24-carat gold to offset the dark and saturated brown color of the veneer as well as create the ultimate luxurious experience. Finally, all drums receive individually numbered commemorative badges to certify the uniqueness of each 150th Anniversary Signature Series Shell Set.The 150th Anniversary Signature Series Shell Set is strictly limited to 75 pieces worldwide. 25 of which are made in the Heritage outfit featuring authentic Signature Series shell depths, whereas the remaining 50 use shallower, more contemporary depths. SONOR SIGNATURE Shell Set: - SKU: 11004321 - 22"x16" Bass Drum with Mount - 10"x07" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 12"x08" Tom w/T.A.R Mounting System with AcousticGate to finetune the drums sustain- 14"x13" Floor Tom - 16"x15" Floor Tom - 14"x8" Snare Drum - DTH 675 MC G Double Tom Holder - Limited to 50 pieces worldwide