Ultimate Movie Instrumental Solos Horn F Level 2-3, Play-Along

Cymbal Zildjian FX Raw Crash Small BellThe Raw Crash is a cymbal like no other unrefined and completely unique. With a short and explosive crash, it also works as an alternate ride that is dry and cutting. Each sound sample below includes 3 different Raw Crashes to emphasize the highly unique nature of this cymbal. Vetted in the Zildjian Concept Shop and now available worldwide, FX Raw Crashes are the most unrefined and funky cymbals we've ever produced! Each Raw Crash starts from Zildjian's secret alloy, but is not hammered, lathed or trimmed, creating a sound and look that's unlike any other cymbal. A cymbal like no other. Raw crashes are not hammered or lathed, which gives each a highly irregular profile and an unrefined surface. They are also not trimmed into a perfect circle, resulting in odd shapes, sizes (max 24 in diameter), and a naturally coarse edge. Altogether, these variations in profile, shape, size and edge consistency are what create the wildly individual sounds from one crash to the next that make these cymbals so special. Unleash an unrefined sound. These cymbals open up easily, producing beautiful dry crashes with great cut, then drop out of the mix, allowing punchy accents and clear stick patterns. The small bell version of the Raw Crash delivers a controlled and dry sound, with less pronounced overtones. The large bell Raw Crash is a bit more open, with a more pronounced bell sound. Both versions offer a focused sound with plenty of stick to compliment any style, making them an excellent choice for an alternative ride cymbal! Their low shapes make them ideal for moderate volume settings where less projection is needed. A completely individual look. Aesthetically, each Raw Crash will feature streaks, splotches and swirls of varying colors. These are created when the hot metal is tempered, and over time, will continue to develop. Some Raw Crashes may show stretch marks from rolling, tool marks and scratches from moving the hot blanks, chalk marks indicating cup location and oven number, and other telltale signs of their journey through the foundry. These are purely visual features that occur naturally in the process, and dont affect sound or longevity in any way. - Each sound sample includes 3 different Raw Crashes to emphasize the highly unique nature of this cymbal - Dry, unrefined and funky - Untrimmed for unique, non-circular shape - Varies in size between roughly 17" - 24" - Explosive attack with quick decay - Also works as alternate ride - Family : FX - Size : Small Bell

Cymbal Zildjian FX Raw Crash Large BellThe Raw Crash is a cymbal like no other unrefined and completely unique. With a short and explosive crash, it also works as an alternate ride that is dry and cutting. Each sound sample below includes 3 different Raw Crashes to emphasize the highly unique nature of this cymbal. Vetted in the Zildjian Concept Shop and now available worldwide, FX Raw Crashes are the most unrefined and funky cymbals we've ever produced! Each Raw Crash starts from Zildjian's secret alloy, but is not hammered, lathed or trimmed, creating a sound and look that's unlike any other cymbal.A cymbal like no other. Raw crashes are not hammered or lathed, which gives each a highly irregular profile and an unrefined surface. They are also not trimmed into a perfect circle, resulting in odd shapes, sizes (max 24 in diameter), and a naturally coarse edge. Altogether, these variations in profile, shape, size and edge consistency are what create the wildly individual sounds from one crash to the next that make these cymbals so special. Unleash an unrefined sound. These cymbals open up easily, producing beautiful dry crashes with great cut, then drop out of the mix, allowing punchy accents and clear stick patterns. The small bell version of the Raw Crash delivers a controlled and dry sound, with less pronounced overtones. The large bell Raw Crash is a bit more open, with a more pronounced bell sound. Both versions offer a focused sound with plenty of stick to compliment any style, making them an excellent choice for an alternative ride cymbal! Their low shapes make them ideal for moderate volume settings where less projection is needed. A completely individual look. Aesthetically, each Raw Crash will feature streaks, splotches and swirls of varying colors. These are created when the hot metal is tempered, and over time, will continue to develop. Some Raw Crashes may show stretch marks from rolling, tool marks and scratches from moving the hot blanks, chalk marks indicating cup location and oven number, and other telltale signs of their journey through the foundry. These are purely visual features that occur naturally in the process, and dont affect sound or longevity in any way. - Each sound sample includes 3 different Raw Crashes to emphasize the highly unique nature of this cymbal - Dry, unrefined and funky - Untrimmed for unique, non-circular shape - Varies in size between roughly 20" - 24" - Explosive attack with quick decay - Also works as alternate ride - Family : FX - Size : Large Bell

The 18 AAX Thin Crash from SABIAN introduces a whole new palette of sound to the AAX line. A smaller raw bell than typically found on larger crashes delivers fast response. A whole new style of AAX hammering ? much more visible on the surface of the cymbal due to the larger, rounder peen ? makes for a thinner, more complex and slightly darker crash. At the same time, more highs are introduced into the sound, resulting in a wider band of frequency. For drummers, that means brighter highs and more complex lows. SABIAN has always pushed the boundaries of innovation, using the latest manufacturing technology to answer new trends in music and sound. AAX Thin Crashes are no exception, answering the call for thinner, faster, more complex crashes.

With a dark, unlathed raw bell delivering clear, cutting strokes and a ride area that puts out crisp responses with the perfect amount of spread, the SABIAN 21 AAX Raw Bell Dry Ride is designed to deliver at any volume, in any musical style. You could say it's versatile, but that word simply cannot convey just how great this cymbal lets you play and sound every time. The SABIAN AAX series delivers consistently bright, crisp, clear and cutting responses AAX is the ultimate Modern Bright sound!

Cymbal Paiste Signature/Line Ride, Full 22

La Califfa, Ennio Morricone arr Stuart Pullin.  Soprano cornet soloist and Brass  for Peter Roberts

Digitalsett Roland TD-07KV, Komplett m/Padder, Modul og RackstativKick: KD-10Snare: PDX-8Hi-hat: CY-5Hi-hat control pedal: Detactable for half-open strokeTom: PDX-6A x 3 *2Crash: CY-8Ride: CY-850 Kits-25 Presets* Stortrommepedal kommer i tillegg.

THE EXTENDED 120 HYMNS FOR BRASS BAND OR WIND BANDSCORING - INFO:The extended edition of the 120 Hymns for Wind Band/Brass Band har been fresly engraved with a music font specially commissioned by Wright and Round for ease of reading. The publishers have added a frther twenty Christmas Carols making the book unique in that it contains everything needed for worship in one book.As in the previous edition the arrantements are designed to be used by four players upwards. WIND BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd trumpet (+2nd and 3rd Clarinet) parts, 1st and 2nd horn adhere strictly to the alto part, etc.It will be seen that the correct choice of instruments, e.g. flute, 1st and 2nd horn, E-flat bass will provide a four-part balance. BRASS BAND - Apart from the melody and bass, to which the allocation of parts is obvious, the 2nd and 3rd cornet, solo and 1st horn adhere to the alto part - similary the 2nd horn and 1st paritone to the tenor part. (Lest this should appear to leave the tenor line weak, it should be hoted that in the main this is strenghened by 2nd baritone and tenor trombone in such a way to ensure the balance of alto and tenor lines with a normal complement). The Euphonium is independen t but usually doubles either the melody or the bass.It will be seen that the correct choise of instruments, e.g. solo cornet, 1st and 2ndt horn, E-flat bass wil provide a four-part balance. Apart from plain utility, imaginative conductors will realise the potentiality of contrasted groups which will rest sections of the band in long hymns and also provide changes of tone colour comparable with the organist's registration. CONTENT1. Aberystwyth   2. Abridge     3. Angelus     4. Aurelia     5. Austrian Hymn       6. Belmont     7. Blaenwern   8. Carlisle    9. Christ the King       10. Colne      11. Cor Jesu    12. Corpus Christi       13. Crimond    14. Cross of JeSus        15. Darwalls 148th       16. Day of Rest   17. Dennis     18. Diadem     19. Diademata   20. Divine Mysteries      21. Dix       22. Dominus Regit Me     23. Duke Street   24. Dundee (French)      25. Easter Hymn        26. Ein Feste Burg       27. Ellacombe   28. Ellers       29. Eventide     30. Franconia     31. Geibel      32. Gerontius     33. Gopsal      34. Hanover     35. Hollingside   36. Horsley     37. Hursley     38. Hyfrydol     39. Innocents     40. Kocher      41. Laudate Dominum     42. Laudes Domini       43. Lloyd       44. Lobe den Herren       45. Love Divine   46. Lux Benigna   47. Maidstone    48. Mannheim    49. Martyrdom   50. Maryton     51. Melcombe    52. Melita      53. Miles Lane     54. Misericordia   55. Missionary    56. Monkland,    57. Monks Gate   58. Morning Hymn       59. Morning Light        60. Moscow     61. National Anthem       62. Nearer, My God, To Thee  63. Nicæa,      64. Nottingham (Mozart)    65. Nun Danket   66. Old Hundredth       67. Passion Chorale       68. Penlan      69. Pentecost      70. Pilgrims      71. Praise my Soul         72. Redhead      73. Regent Square         74. Richmond     75. Rimmington    76. Rockingham    77. St. Agnes      78. St. Albinus     79. St. Ann      80. St. Bees      81. St. Cecilia     82. St. Clement    83. St. Columba    84. St. Cuthbert    85. St. Denio     86. St. Ethelwald         87. St. Francis    88. St. George    89. St. Gertrude    90. St. Magnus    91. St. Michael    92. St. Oswald    93. St. Peter      94. St. Theodulph        95. St. Theresa    96. Samuel      97. Sandon      98. Sawston      99. Sine Nomine         100. Stella       101. Stracathro     102. Stuttgart      103. Tallis Canon         104. Turris Davidica        105. Victory      106. Vox Dilecti    107. Wareham     108. Warrington    109. Westminster    110. When He Cometh      111. Whitburn     112. Wiltshire     113. Wir pflügen (Dresden)    114. O Come All Ye Faithful    115. Away in a Manger      116. Hark! The Herald Angels Sing         117. Once in Royal Davids City  118. Nowell      119. Silent Night    120. While Shepherds Watched    121. Angels from the Realms of Glory,    122. As with Gladness       123. Christians Awake       124. The Coventry Carol      125. Ding Dong Merrily on High      126. Deck the Halls        127. God Rest ye Merry Gentlemen         128. Good King Wenceslas    129. Good Christian Men Rejoice     130. The Holly and The Ivy    131. I Saw Three Ships       132. It Came upon the Midnight Clear      133. Jingle Bells,    134. O Little Town of Bethlehem         135. The Rocking Carol      136. See Amid the Winter Snow      137. Unto us a Child is Born    138. Wassail      139. We Three Kings        140. We Wish you a Merry Christmas    Index of Hymns  Index of Carols  Index of first lines of hymns listed with commonly used tunes  AVAILABLE PARTS:W6277 120 hymns for Brass band Full page score A4W6278A 120 hymns for Brass band Soprano Cornet Eb A4W6278B 120 hymns for Brass band Solo Cornet Bb A4W6278C 120 hymns for Brass band Repiano & Flugel Bb A4W6278D 120 hymns for Brass band 2nd & 3rd Cornet Bb A4W6278E 120 hymns for Brass band Solo Horn Eb A4W6278F 120 hymns for Brass band 1st Horn Eb A4W6278G 120 hymns for Brass band 2nd Horn Eb A4W6278H 120 hymns for Brass band 1st Baritone A4W6278I 120 hymns for Brass band 2nd Baritone A4W6278J 120 hymns for Brass band 1st Trombone A4W6278K 120 hymns for Brass band 2nd Trombone A4W6278L 120 hymns for Brass band Bass Trombone A4W6278M 120 hymns for Brass band Euphonium A4W6278N 120 hymns for Brass band Bass Eb A4W6278O 120 hymns for Brass band Bass Bb A4W6278P 120 hymns for Brass band Drums A4W6278Q 120 hymns for Brass band Timpani A4W6278R 120 hymns for Brass band Concert Pitch A4W6307 120 hymns for Brass & Wind Band Short Score A4W6360A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A4W6360B 120 hymns for Wind band Oboe A4W6360C 120 hymns for Wind band Bassoon A4W6360D 120 hymns for Wind band Clarinet Eb A4W6360E 120 hymns for Wind band 1st Clarinet A4W6360F 120 hymns for Wind band 2nd & 3rd Clarinet A4W6360G 120 hymns for Wind band Bass Clarinet A4W6360H 120 hymns for Wind band Alto Saxophone A4W6360I 120 hymns for Wind band Tenor Saxophone A4W6360J 120 hymns for Wind band Baritone Saxophone A4W6360K 120 hymns for Wind band 1st Trumpet A4W6360L 120 hymns for Wind band 2nd & 3rd Trumpet A4W6360M 120 hymns for Wind band 1st Horn F A4W6360N 120 hymns for Wind band 2nd Horn F A4W6360O 120 hymns for Wind band 1st Trombone C A4W6360P 120 hymns for Wind band 2nd Trombone C A4W6360Q 120 hymns for Wind band 3rd Trombone C A4W6360R 120 hymns for Wind band Euphonium/Tenortuba C A4W6360S 120 hymns for Wind band Basses C A4W6360T 120 hymns for Wind band Drums A4W6360U 120 hymns for Wind band Timpani A4W6360V 120 hymns for Wind band Concert Pitch A4W7013A 120 hymns for Brass band Soprano Cornet Eb A5 StandardformatW7013B 120 hymns for Brass band Solo Cornet Bb A5 StandardformatW7013C 120 hymns for Brass band Repiano & Flugel Bb A5 StandardformatW7013D 120 hymns for Brass band 2nd & 3rd Cornet Bb A5 StandardformatW7013E 120 hymns for Brass band Solo Horn Eb A5 StandardformatW7013F 120 hymns for Brass band 1st Horn Eb A5 StandardformatW7013G 120 hymns for Brass band 2nd Horn Eb A5 StandardformatW7013H 120 hymns for Brass band 1st Baritone A5 StandardformatW7013I 120 hymns for Brass band 2nd Baritone Bb A5 StandardformatW7013J 120 hymns for Brass band 1st Trombone Bb A5 StandardformatW7013K 120 hymns for Brass band 2nd Trombone Bb A5 StandardformatW7013L 120 hymns for Brass band Bass Trombone BC A5 StandardformatW7013M 120 hymns for Brass band Euphonium Bb TC A5 StandardformatW7013N 120 hymns for Brass band Bass Eb TC A5 StandardformatW7013O 120 hymns for Brass band Bass Bb TC A5 StandardformatW7013P 120 hymns for Brass band Drums A5 StandardformatW7013Q 120 hymns for Brass band Timpani A5 StandardformatW7013R 120 hymns for Brass band Concert Pitch A5 StandardformatW7014A 120 hymns for Wind band 1st & 2nd Flute/Piccolo A5 StandardformatW7014B 120 hymns for Wind band Oboe A5 StandardformatW7014C 120 hymns for Wind band Bassoon A5 StandardformatW7014D 120 hymns for Wind band Clarinet Eb A5 StandardformatW7014E 120 hymns for Wind band 1st Clarinet A5 StandardformatW7014F 120 hymns for Wind band 2nd & 3rd Clarinet A5 StandardformatW7014G 120 hymns for Wind band Bass Clarinet A5 StandardformatW7014H 120 hymns for Wind band Alto Saxophone A5 StandardformatW7014I 120 hymns for Wind band Tenor Saxophone A5 StandardformatW7014J 120 hymns for Wind band Baritone Saxophone A5 StandardformatW7014K 120 hymns for Wind band 1st Trompet A5 StandardformatW7014L 120 hymns for Wind band 2nd & 3rd Trumpet A5 StandardformatW7014M 120 hymns for Wind band 1st Horn F A5 StandardformatW7014N 120 hymns for Wind band 2nd Horn F A5 StandardformatW7014O 120 hymns for Wind band Euphonium/Tenor Tuba BC A5 StandardformatW7014P 120 hymns for Wind band 1st Trombone C A5 StandardformatW7014Q 120 hymns for Wind band 2nd Trombone C A5 StandardformatW7014R 120 hymns for Wind band 3rd Trombone C A5 StandardformatW7014S 120 hymns for Wind band Bass BC A5 StandardformatW7014T 120 hymns for Wind band Drums A5 StandardformatW7014U 120 hymns for Wind band Timpani A5 StandardformatW7014V 120 hymns for Wind band Concert Pitch A5 Standardformat 

Drillstav Majestic 78.20, Twirling Baton Elegance, Chrome Plated, 50cm

UpMute DescriptionThe UPMUTE practice mute gives a feeling of freedom and total control of the whole register and the intonation, from the lowest pedal tones until the highest register.Following the UPSOUND philosophy, UPMUTE is not just a practice mute; it improves the development of your sound quality and richness. Thanks to its perfect amount of resistance, it offers a great focus and centre in the sound, stabilizing day to day a great deal of frequencies and creating homogeneity in the associated harmonics.It gathers the five essential requirements:INTONATIONMINIMUM RESISTANCE TO THE AIR FLOWSOUND QUALITYVERY SOFT, IT DOES NOT DISTURBLIGHTWEIGHT AND EASILY TO CARRY AROUND in most bagsJust perfect!IMPORTANT: To put in or take out your mute, just pressure it against de bell or pull it out WITHOUT turning it, since it could cause premature wear of the rubber joinAvailable for trumpet, Spanish cornet, French horn, tenor trombone and bass trombone 

Mute Baritone Practice Denis Wick 5536 AluminiumDescription:Denis Wick practice mutes are perhaps the best teaching aid ever invented. Not only do they fulfil the need for the IN TUNE painless practice, so essential in the development of every young player and an indispensible 'hotel mute' for the professional, but they also possible an enormous improvement in tone quality using the entire vital capacity as a vibrating air column by opening the throat spaces through playing loudly in the low register.